Pop Up Swap with J.P. Jackson

Well lookie here. I’ve got another Pop Up Swap! This one is with fellow fantasy author and fellow NineStar Press author J.P. Jackson, who also goes by Jeff.

Here’s a bit about the guy.

J.P. Jackson works as an IT analyst in healthcare during the day, where if cornered he’d confess to casting spells to ensure clinicians actually use the electronic medical charting system he configures and implements.

At night, however, the writing happens, where demons, witches, and shapeshifters congregate around the kitchen table and general chaos ensues. The insurance company refuses to accept any more claims of ‘acts of the un-god’, and his husband of almost 22 years has very firmly put his foot down on any further wraith summonings in the basement. And apparently, imps aren’t house-trainable. Occasionally the odd ghost or member of the Fae community stops in for a glass of wine and stories are exchanged. Although the husband doesn’t know it, the two Chihuahuas are in cahoots with the spell casting.

J.P.’s other hobbies include hybridizing African Violets (thanks to grandma), extensive traveling and believe it or not, knitting. For more about him and his writing, visit his website or his Facebook page.

Jeff and I met through the NineStar authors’ Facebook page. He’s a social media whirlwind, and I quickly became a fan of his posts sharing book marketing ideas as well as his super friendly personality. Then I saw one of his books was called Magic or Die, which on title alone hooked my interest.

To back up a bit for anyone new to the Pop Up Swap, it’s where I exchange books with another author and we interview each other. I told Jeff Magic or Die was on my TBR list and maybe he’d be interested in doing an exchange. He said: “Sure, why not?” and he’d be happy to take a look at my Werecat series and here we are. You can check his interview of me here.

So I’ll start out with the book synopsis, and we’ll jump right into the interview.

James Martin is a teacher, a powerful Psychic, and an alcoholic. He used to work for the Center for Magical Research and Development, a facility that houses people who can’t control their supernatural abilities, but left after one of his students was killed, turning to vodka to soothe his emotional pain. The problem is he still has one year left on his contract.

When James returns to the CMRD to fulfill the rest of his contract, he finds himself confronting the demons of his past and attempting to protect his new class from a possible death sentence, because if they don’t pass their final exams, they’ll be euthanized.

James also discovers that his class isn’t bringing in enough sponsors, the agencies and world governments who supply grants and ultimately purchase graduates of the CMRD, and that means no profit for the facility. James and his students face impossible odds—measure up to the facility’s unreachable standards or escape.

AP: Jeff, thanks so much for agreeing to do my Pop Up Swap. First things first, from our correspondence, it sounds like you’ve had an interesting life. You told me you’ve moved around a lot. Now you live in Edmonton, Alberta. I don’t know a lot about Edmonton or Alberta, and I suspect my website visitors don’t either. I tend to mainly get Americans around here and the occasional Brit. So what do we need to know about Edmonton to get an idea of what it’s like to live there?

JJ: Edmonton is a really pretty city, probably the prettiest city I’ve ever lived in. In the summer months all you can see are trees. Our downtown area has dedicated park spaces in between high-rises. We also have the North Saskatchewan River that flows right through the middle of the city.

Downtown borders the northern embankment, and the banks are high, so you get an excellent bird’s eye view of the river valley from most office towers and high-rise apartment buildings. We have a huge parkway through that belt along the river with paved paths, sculptures, and picnic areas. It connects twenty major parks and has over 160km of trails. It’s about 22 times larger than Central Park in New York.

We also have the largest mall in North America if shopping is your thing. I avoid the mall at all costs. Too peopley.

Edmonton is just under a million in population size, but with neighboring suburbs we’re over 1.3 million. It’s the most northern city with its population size in North America. We have great festivals here, including the largest Fringe Festival other than the original in Edinburgh, Scotland.

AP: Wow. I can tell you’ve adapted and fallen in love with the city, which is awesome to hear.

Let’s dig into the book. I really enjoyed it! For me, two things stood out. You write magic action sequences so well, with really vibrant imagery. I loved the scene where James gets all his students together for the first time, and they use their magic to hover in the air, cast light, make flames and snowflakes. I imagined the whole room spinning around like a kaleidoscope, and it was a sweet experience for the students who had been treated like their magical powers were freakish and dangerous, like they were freakish and dangerous.

Then, I really liked the main character James and his love interest Isaiah. I’ve got some questions about your approach to both of those aspects of the story, but I think I’ll start with something more general.

The story kind of straddles the YA/NA line. While I got the impression the main character and narrator James was at least in his late 20s, his students are in their late teens or early twenties, and there’s lots of young adultish snark and bonding and dramatics. Did you have a particular audience in mind?

JJ: This probably sounds like a bad thing to admit but I didn’t have a particular audience in mind. I simply wrote a story. The idea was spurred on by my editor at the time. Ninestar Press was asking for submissions for an anthology, and the theme was “Teacher’s Pet.” I was asked to write something, and it really wasn’t striking any chords of interest until my editor said, “Think of a werewolf in an anger management class who falls for his facilitator.”

That got me thinking and then before I knew it, Annabelle and Isaiah were born, and the idea of a really broken teacher…the rest of it just kind of happened!

AP: Your bio mentions magic. I assume (hope!) in a playful way. But it did make me curious about how you accumulated your knowledge of demon possessions and witchcraft, which are big facets of the story. Have you explored arcane arts in real life?

JJ: Yup. Absolutely. I was obsessed with horror and paranormal movies and books in my early teens and still am. I read books on psychic phenomenon, UFO’s, and unexplained happenings. Ghosts and poltergeists too. And then when I was in my early twenties, I stumbled upon an adult learning class on Wicca.

I signed up and met some folks. We eventually formed our own coven, and after several years I was initiated as a Third Degree High Priest. I’ve taken Comparative Religion classes in University as well.

I’d say I’m more spiritual than religious. I‘ll light candles and say a quick ‘thank you’ to whoever might be listening. I thank inanimate objects. I touch trees with respect and reverence. I often hear things others do not, and I see shadows and spirits everywhere. I am superstitious and regularly cast protection spells. I completely respect and believe thoughts have energy and when directed with intent can have an effect on my surroundings. All this history and experience have exposed me to some rather unexplainable situations.

AP: That’s deeper than what I expected! You’re basically talking to an atheist who was raised in a Lutheran Christmas Eve-and-(sometimes)-Easter church-going family, but I do find spirituality fascinating.

So, getting a bit personal again, I dig stories that have main characters who aren’t physically perfect and conventionally beautiful. It actually makes it harder for me to get behind that kind of character because some sour place inside me always rises up to say: [sarcastic voice] Oh, look here, another hero/heroine who has it all, but I’m supposed to be on the edge of my seat wondering if they’re going to succeed against all odds.

James starts out as a bit of a wreck physically, and he mentions he’s got a little extra around the middle. One of the reasons he’s attracted to Isaiah is because Isaiah is a hairy-bodied guy with a beard, pretty much a bear cub I think you’d say. I thought it was really cool the two guys weren’t worked-out, smooth hunks, which you see so much in gay fiction.

Now the personal question: how much of that reflects your own preferences and attitudes toward gay male body image? I mean, I couldn’t resist since your Twitter handle is CanuckBear88.

JJ: HA! Busted. In all honesty, I love me some muscle-bears. Thing is, most of us are not dedicated to doing what it takes to achieve and maintain that kind of body. I know several body builders, and it’s not for the feint of heart.

via GIPHY

So when I set out to write Magic or Die, I wanted my characters to be more ordinary Joes. The cast is extraordinary in other ways. James and Isaiah didn’t need to be gym rats as well. Besides I think it’s more interesting to read about people who are a little more like you and me. And I think it makes the characters more relatable. People can see themselves easier.

AP: 100% agreed about relatability. Another thing we have in common is we both started writing professionally later in life.

What’s your story? I’m especially interested in how you picked up your writing craft whether through traditional writing classes or something else. You definitely have a keen sense of pacing for genre fiction as well as incorporating sensory imagery into the action.

JJ: WOW! The compliments. Thank you. I’ve always been creative. Whether it was drawing, painting, sculpting, music, writing, or theater. Even raising African Violets has a touch of art to it. When I hybridize, choosing the characteristics you want to get out of the progeny is science, but having the foresight to see the potential in crossing two plants to possibly get something new and fantastic? That’s creative. I have no idea how I ended up in IT, yet, here I am.

Confession time: I’ve only ever took one creative writing course. I was an international student studying in the United States, and because I was ‘international’ I had to take English. So, I went to my Dean of International Studies and pleaded my case as to why taking English was a waste of time and money. But the credit was just part of the program, so in a compromise they let me choose the English course I wanted to take. I took Intro to Creative Writing. Towards the end of the semester my professor asked if I’d be interested in changing majors. That wasn’t really part of my plan, so I declined.

But here’s a secret – I read a lot. Up to 50 books a year. And everything from NYT Best Sellers to emerging LGBTQ+ authors, horror, mystery, romance – all of it. I think that helps me in many other ways.

AP: Oh, it definitely does. By most definitions I’m self-taught as well. I tried to take as many creative writing courses in college as my major would allow, and then as an upperclassman, I had to submit a writing sample in order to get into advanced creative writing courses, which were pretty much limited to English majors. I was crushed when I wasn’t selected for the twenty-seat class.

Back to reading though, I’m not as well-read in urban fantasy as I probably should be. I’ll share with you some of my favorite authors and titles, and I’m curious about yours since you’re so involved in the genre.

I like some Anne Rice, which maybe doesn’t count since she’s so gothic, but she’s taken on some paranormal themes I loved like her Songs of the Seraphim series (angels) and The Wolf Gift (werewolves). Recently, I discovered a début author K.D. Edwards who launched a gay-themed series The Tarot Sequence that’s a lot of fun. And, one of my inspirations for Werecat was Allison Moon’s awesome lesbian werewolf series Tales from the Pack.

What are some of your faves?

JJ: Anne Rice was a go-to for many years, but for me it was The Vampire Chronicles and The Mayfair Witches. Then there was Stephen King. I’ve read most of Robert Jordan’s Wheel of Time series and Piers Anthony, Melanie Rawn, and Stephen R. Donaldson.

But when I was growing up, the literature I was coming across either fell into the realm of horror or fantasy. It wasn’t until the late 90’s when I started coming across urban fantasy and read books by J.K. Rowling, Stephanie Meyer, Charlaine Harris, and Patricia Briggs. Deborah Harkness’ The All Souls Trilogy is another good one, as is Jim Butcher’s The Dresden Files.

AP: Cool. I can tick off a couple of those authors like Robert Jordan, Rowling of course, and Jim Butcher. Because of my Werecat series, a lot of people tell me I should try Charlaine Harris, but I haven’t gotten around to it.

JJ: Nowadays I spend my money and read books by folks who are representing the LGBTQ+ community across genres. M.D. Neu (sci-fi and paranormal), Brooklyn Ray (dark paranormal), Glenn Quigley (historical fantasy), E.M. Hamill (sci-fi and urban fantasy), S.A. Stovall (fantasy and crime noir), Brandon Witt (fantasy, cozy mysteries, and M/M romance), Rick Reed (horror and M/M romance), Rob Rosen (sci-fi and urban fantasy) all top my list.

AP: Great! Thanks for the suggestions. Let’s move back to your book. Beyond the non-conventional physical aspects of James and Isaiah, I’d say you got pretty gutsy in depicting a teacher/student relationship. To be clear, both guys are beyond college-age so it’s not an illegal or even a barely legal situation. But it does raise questions about professional boundaries. Did you set out to tackle that kind of relationship? What are your hopes regarding what readers will take away from your portrayal of their relationship?

JJ: Yeah, I struggled hard with that. It was one of the reasons I wasn’t that interested in the premise of the story to begin with – remember, the one my editor really wanted me to write?

So, I had to think of a way around it. And the only way I could was to make sure everyone was an adult. Even still, some readers were really put off by the relationship – and hey – I get it. It’s, as one reviewer put it, squicky.

But at the same time, that’s exactly where I wanted people to sit when it came to James. Sure, he’s the hero, but he’s a little broken and maybe doesn’t always make the best decisions. I think that makes him more relatable. James thinks with his little head. I never really say that, but let’s face it, what’s the motivating factor for even considering a relationship with someone when there’s that power imbalance like a student/teacher set up? So, if readers are wriggling a little while reading it, that’s good. I kind of wanted them to.

I also know what some gay men are like. I sure as hell know what I was like when I was young and single. I couldn’t wait to get my paws on whatever guy would have me, and if he was older and hairy – fantastic! And that’s what I was remembering when I wrote James and Isaiah meeting for the first time. Not everyone is the same, but for me, if I find someone physically attractive then the flirtation gets dialed way up until I get what I want. Isaiah was kind of like that in the book. As much as James liked Isaiah, the attraction was quite mutual.

Readers will find in the next books their relationship will begin to deepen and go beyond that initial lust.

AP: Okay, I’m going to throw one of those deep questions at you. You write in first person POV, and I found James’ voice assured, a bit snarky and cynical (which certainly fits considering what he’s been through), and fairly circumspect about the world. The only thing he knows for certain is it’s his job to protect the people he cares about, which includes his sister who’s gone down a dark path and then Isaiah and the other students.

This is a two-parter. First, how much of that would you say is you?

Second, the deeper part, what do you hope to say about the world through Magic or Die and your other work? Obviously, you write fiction and it’s far removed from the world we live in, but I’m always curious about the underlying values and assumptions, which provide the foundation for any story.

JJ: To answer your first question: None of it. I doubt EVERYTHING I do, but then I give in to “well, let’s just see what happens.” My husband plans for everything, all the contingencies, all the emergencies, and always has a plan of action. I kind of wish I was a little more like that. Do I care about others? Maybe. Those close to me for sure. Do I want the best for mankind – sure, but am I the kind of person to go out there and be altruistic – not really. James is that hero, despite his piss-poor decision-making skills.

Regarding your second question, I think Magic or Die is about possibilities. What would Ning be like if she could control her Yuki-ono? How about Chris? If he wasn’t so angry would the fire wolf come out as often? What change could they affect on the world?

I think there’s an undertone of general acceptance of those who are different from us – that underneath our differences we’re really all just people who love and fear and bleed.

But mostly I want readers to walk away from my stories wondering ‘what if?’ What would it be like in a world where magic was truly possible? And who’s to say that it isn’t – maybe we just don’t see it because the vast majority of us don’t believe in it.

AP: Cool. Magic or Die is the start of an adventure series for James, Isaiah and their magical pals. Are you holding your cards close regarding what happens next, or can you tell me what direction the story is headed in? Also, do you have a title and a release date for the next installment?

JJ: Well, I can tell you this. I plan to have one book for each of the main characters but as seen through the eyes of Isaiah and James. Magic or Die is told from James’s perspective, and then the next book, Blood and Sacrifice, is told from Isaiah’s perspective. I think I’ll bounce back and forth with those.

The first book is very much an origin story, how the group came together. Blood and Sacrifice is about tough choices and testing the saying “blood is thicker than water,” so this book is really centering on James and his sister.

But while that is happening, the rest of the gang are going through their own issues. Ning’s Yuki-Ona wants her body found so I think we’ll be travelling to Japan for that book. Chris makes an interesting discovery about his mirror twin who has died, which prompts a difficult decision that won’t be resolved until his book. And that may end up taking the entire crew back to the CMRD.

Annabelle requires training so she’ll be off to Varna, Bulgaria where her Coven is located. That book will be super creepy and fun to write. And then there’s Isaiah. His Asmodeus demon is going to make a super difficult request, and Isaiah already knows what it is, but he has no idea how to handle it.

So there you have it. That should be it. Sounds simple, right? It isn’t. LOL. What did I get myself into?

AP: Piece of cake. 😊So how’d you end up at NineStar Press?

JJ: By complete chance! My first book Daimonion, Book One of the Apocalypse took me about three years to write, and then another two to edit. Once I had a polished manuscript, I started querying agents and publishers, but I had not come across NineStar Press. I had many rejection letters and even more agents and publishing houses that never responded to my inquiries. I was starting to get to the point where self-publishing was looking like my only option.

Then I found #pitchmas on Twitter – basically it was pitch your book, tell us your genre and intended audience in 144 characters or less, and any agents/publishers who like your tweet want you to submit your manuscript to them. So, I threw a tweet out into the universe, and then promptly forgot about all of it. It was the Christmas season and that’s always really busy.

That year, the hubby and I went to Puerto Vallarta, Mexico for Christmas, and I remember a couple of days after arriving in Mexico, my phone buzzed while we were sitting in a café and I had WiFi. The notification was “NineStar Press likes your tweet.” Honestly, I had no idea what NineStar had liked. So I put my phone away, because I was on vacation and it wasn’t until the next day when I checked it out – NineStar Press had liked my #pitchmas tweet!

I didn’t have my laptop with me so I couldn’t respond until about a week later. I found out about NineStar Press, what their submission requirements were, and sent off a query to them with a copy of Daimonion, and hoped for the best. Again, completely forgot about it, as work was nuts.

Then on January 12, 2017, I got an email from NineStar Press, “We’d like to offer you…”
I was at work when that email came in. Jumped around and screamed like a schoolgirl. It was insane, and I’ll never forget it.

AP: I love those stories. And I’ll say maybe the only good thing about having a full-time day job while being a writer is those crazy moments when you check your phone in the office and you get some good news and have to figure out a way to contain yourself and focus on what you’re supposed to be doing. It keeps life interesting!

Anything else you’ve got coming up you’d like readers to know about?

JJ: I’m about half way through first draft of Blood and Sacrifice, Book #2 Inner Demons. I have several chapters written of Nephilim, Book 2 of the Apocalypse. And then, because my brain does this to me, I’ve started another project, Summoned. This one is an M/M paranormal romance with witches, werewolves and the Fae. I’m about halfway through the first draft of that too.

AP: You’re a busy guy! Best of luck and thanks again for coming over to my blog. 😊

Curious about Jeff’s Magic or Die? Pick up a copy at the NineStar Press webstore, Amazon, iTunes, or BN.com.

My On-Line Interview – The Next Big Thing Project

Here’s the skinny, my “next big thing,” as prompted by author John Copenhaver last week:

What is the title of the book?

Werecat: The Rearing

DSC_1329

 

Where did the idea come from for the book?

It started as an experimental piece. I got turned on to shapeshifter and vampire stories only recently, and, as with most everything I read, those stories made me think: how could I write a great story in that vein from a totally queer point-of-view? Not just with gay or lesbian sidekick characters – I wanted to create a gritty, sexy love story between two men that was central to the plot, and really central to a fantasy world. I’m also fascinated by cats, so writing the fantasy aspect came pretty naturally to me.

What genre does your book fall under?

Urban fantasy

What actors would you choose to play the part of your characters in a movie rendition?

I actually blogged about that subject before my book got picked up by a publisher. What writer doesn’t daydream about casting her/his work? For Werecat, it’s extra fun because I think feline shapeshifters would have to be sexy and dark. I imagine an underground world populated  by hot, scruffy men, high-shouldered and lean, sort of a throw-back to the grunge or heroin-chic model trend of the 90’s. They would have to have great eyes too.

My main character Jacks is a lost, rebellious college drop-out, and I’d be delighted to cast François Arnaud from the Showtime series The Borgias in that role. Jacks’ love interest Benoit would have to be smoking hot with a dangerous vibe. My first pick is Michael Fassbender. Then there’s a supporting character Farzan who may or may not get in between Jacks and Benoit. Farzan is tightly-wound and kind of goofy. He makes me think of Kal Penn from Howard and Kumar.

What is the one sentence synopsis of your book?

Werecat: The Rearing is about a young man who goes to Montréal for Spring Break, gets picked up by a handsome drifter, and ends up on a terrifying and erotic journey into the world of feline shapeshifters.

How long did it take you to write the first draft of the manuscript?

Werecat: The Rearing is the first book in a series of novellas, which are 20-40K words apiece. I wrote the first draft in about three weeks.

Who or what inspired you to write this book?

Allison Moon’s lesbian werewolf novel Lunatic Fringe was a major departure point. Beyond her excellent re-imagining of werewolf mythology, her book made me think about the similarities between the shapeshifter trope and the experience of being queer, both in obvious ways like having to hide and being misunderstood, and in ways that are important to me politically and spiritually.

I think there’s something liberating about being able to inhabit two worlds. Queer people learn how to fit in, and sometimes pass within a heterosexual world, and we also cross “genders” at least in our private lives if not publicly. The Native American idea of two-spirit intrigues me – possessing both a female and a male aspect – and I could go on about that subject extensively. Suffice it to say, when I started writing about gay, feline shapeshifters, I found opportunities to explore the different facets of having a dual nature — socially, sexually, and politically.

I also worked a good bit of cat mythology – ancient world and native – into the story. Retold myth and legend is a fairly steady thread in everything I write.

Is your book out in print, upcoming from a publisher and/or represented by an agency?

NewVPBlogo72dpiWerecat: The Rearing will be published by Vagabondage Press and is upcoming in May.

Authors I am tagging next for The Next Big Thing Project:

Lydia Sharp – YA contemporary, fantasy, and romance author and blogger extraordinaire

Charlie Vazquez – Avant-garde author, poet, and master-of-ceremonies for New York City’s underground literati

Christopher Keelty – Fantasy/sci-fi author and civil rights activist

C.A. Clemmings – Author of literary novels and short fiction

 

 

Neil Gaiman’s American Gods

 

I recently completed Neil Gaiman’s AMERICAN GODS, 10th Anniversary edition.

The book had been in my reading queue for awhile while I’m on the hunt for mythology-based fantasy.  AMERICAN GODS is fantasy of an urban/contemporary sort, as opposed to my ancient world/heroic tastes, but the premise was awfully compelling.  Plus, there was the August  announcement that HBO will be producing an AMERICAN GODS mini-series.

The story is about a down-on-his-luck, ex-con Shadow who is pulled into the world of gods  hiding behind America’s everyday reality.  The premise is every generation of immigrants brought mysticism and folktales with them, but as they created a new “American” culture, their beliefs faded, and their Old World gods became marginal sorts of characters like small time con men, prostitutes, drifters and undertakers.

Released early from a three-year sentence to attend his wife’s funeral, Shadow is hired by the mysterious Mr. Wednesday — an alias of the Norse god Odin — to act as a sort of bodyguard and errand boy.  Shadow quickly learns there’s much more going on with the job than organized crime.  Wednesday is rallying the forgotten gods to fight the new establishment that has captured America’s imagination:  the modern idols such as materialism, technology and the media.

In his foreword, Gaiman says he set out to write a long, meandering novel, and long and meandering it is at 500 pages with plenty of plot diversions.  But it’s an immersing story of a large scale, so there’s an epic drive that pulled me forward even through longish chapters that added color to  the fantasy world, or provided a curiously retold parable.

My favorite parable-style chapter was “Somewhere in America,” which concerns a young Arab immigrant Salim who is trying, unsuccessfully, to work as a salesman for his family’s company of touristy knick-knacks.  On the brink of giving up, and returning to his home country in disgrace, he confesses his troubles to an Arab taxi driver who is secretly a mystical demon from Islamic lore.  Salim takes the demon home, they make love, and the demon is gone the next morning.  So is Salim’s passport, which has been replaced with his lover’s taxi driver license, providing Salim with an opportunity to start a new life.

That chapter worked well for me because of my soft spot for gay romance, but it’s one of many literary touches that beautifully articulate the story’s complex themes.  America is a country of immigrants, promising economic advancement, cosmopolitanism, and – in Salim’s case – sexual liberation.  At the same time, it’s a land of assimilation where newcomers abandon their cultural traditions in the pursuit of social mobility and personal independence.

On that level, AMERICAN GODS is a traditional tale of the discontents of modern living, which force people to relinquish their soulful natures.  But it also poses deeper questions about the nature of Old World mysticism and the secular materialism of the day.

The old gods have their quirky charms – the swearing, drunk Leprachaunish Mad Sweeney, and the gruffly earnest Czernobog, a Slavic god of death who misses the good old days of bludgeoning men with his hammer – as opposed to the embodiments of commercialism with their slick-backed hair, expensive suits and sunglasses.  But the brutality and trickery of the old gods brings up equally profound challenges for Shadow.  Are there moral truths behind their capricious ways?  Even if so, are there sacrifices too big to make in order to preserve cultural traditions?

In the end, a touch of sentimentality redeems Mr. Wednesday and his pantheon.  Shadow is a tool in their spiritual survival, by but showing himself to be sincere and selfless, he is given a chance for resurrection—both literally and figuratively—which is an opportunity that’s difficult to imagine if he were playing for the other team.

My occasional qualm with the book is the spare characterization of Shadow.  At times he seems to be a heartbroken drifter—and rightly so—and at others he’s a remarkably cool-headed observer of the bizarre, metaphysical vagaries surrounding him.  I suppose he’s written to be an Everyman character, taking in his fantastical circumstances with a degree of distance.  It’s a minor point, but I found myself wanting a bit more disbelief and emotion from him.

Still, this extraordinary book shows off Gaiman’s sly use of imagery, symbol and foreshadowing.  The ever present coin tricks keep the story grounded in the contemporary while setting up the possibility for magic.  Wednesday’s tales of old time con jobs provide a clever tie-in to the story’s bigger themes of belief and deception in consumerism, religion and love.  A side-story mystery concerning generations of disappearing teens in a small Minnesota town comes to a satisfying resolution through deciphering a “hiding-in-plain-sight” villain (and a clever play-on-words).  Well-done indeed.  I expect the story will be in good hands for a small-screen adaptation by HBO, based on the company’s success with George R.R. Martin’s SONG OF ICE AND FIRE.

Angels vs. Vampires

My work-in-progress is about gay men and angels, and lately I’ve been worried.  This probably happens to every writer:  as you near the homestretch, you start noticing all the recently released books or movies similar to your story and panic that they’re going to cancel out the unique appeal of your novel.  On the other hand, hitting on a trend could be a very good thing for a debut title.  This has certainly been the case with vampire stories.

I don’t read vampire stories so I cast no judgment on them.  Something about vampires clearly taps into our collective unconscious, and there have always been plenty of vampire stories around.  But since Twilight’s success, bookstores have set up entire sections for this fantasy sub-genre.  Like I said, I haven’t picked up one of them, but some of them have some pretty enticing cover art.  And vampire movies are coming out like every other month.  The latest Daybreakers I just might go see.

Some people say the vampire trend is going cold.  Some people said that a year or two years ago.  The bubble has to burst at some point I guess just like the real estate market in the new millennium.

Vampires have infiltrated the gay fiction market as well.  A search on Amazon pulls up pages and pages of gay vampire novels, erotic and otherwise, all released in the past three years.  The only gay vampire book I read, back in the ’90’s, was Vampires Anonymous by Jeffrey McMahan. It was really good.

Angels seem to have a quieter following.  There’s the inspirational and melodramatic stuff out there, but no mainstream angel franchise that I can think of in terms of books and no angel fiction display case at my local Barnes and Noble.  Maybe they’re too sacred to exploit as a fantasy series.  Maybe people prefer to read about angels within the sanctity of the Bible.  Maybe this is why I was drawn to the subject as an excellent target for subversion.  But lately, there’s been a bunch of angel novels in the new release section of the bookstore.  Anne Rice’s Angel Time is out as part of her new Songs of the Seraphim trilogy, and YA author Lauren Kate has the angel-inspired series Fallen.  Plus film-wise, there’s the big budget Legion and James Cameron is working on a blockbuster based on the manga Battle Angel.

This shouldn’t worry me too much, I tell myself.  My story is equal parts contemporary gay issues and angel legend.  It doesn’t feature badass angels wreaking havoc or fighting an epic battle of good versus evil, and it’s not about a teenage girl drawn into the tortured, sexy world of angel boys.  And even though my story touches on the familiar themes of transcending adversity through faith, mercy and divine intervention, it’s not going to get the Pope’s seal of approval.  In fact, I’d be madly delighted if the Pope condemned it as the most heretical piece of literature since Martin Luther’s Ninety-Five Theses.

I guess I’m just worried that by the time I finish my book (3 months off by my most optimistic calculation), agents and publishers will have declared the angel trend come and gone.  The anxiety pushes me along.  Maybe I’ll get the final 50 pages done by April.