A Long Overdue Hello

I came by to approve a comment on one of my old posts, and I was slightly horrified to notice I hadn’t made a peep around here since last year. This is my first post of 2020. Happy New Year! Happy Valentine’s Day! Hoping you had a great Oscars Party!

Ugh. I’ve been a terrible correspondent. Where do I begin to explain? I can’t blame everything on the world going bust with Covid-19 and the continuous trauma of our times here in the United States, or the stress of quarantine-living and working from home. Those things had an impact on my writing productivity for sure, but the truth is I mentally stepped away from being author Andrew J. Peters months before any of that. The reasons felt too personal and in some parts too much of a downer to share publicly.

But [deep breath] I’m going to take a dive into what’s been going on with me.

I’ve always been the sort of person who prefers to get the bad or I should say harder news out of the way first, so let’s start with that. 2019 was a tough year for me as a writer. Some great things happened, like seeing my short story anthology make its way into print, but I’d been struggling with the angsty realities of being a small press author for some time. I’m searching for the right metaphor. The air ran out of the balloon? That doesn’t quite capture things because I’d been thinking long and hard about what to do with my writing career. It’s been more like an intentional pause.

I hesitated to share how I was feeling, and not just with my readers. I only told my husband and a few close friends. I worried about sounding whiny or sounding blame-y or letting down the people who helped me get to where I am. I know some writers who have publicly talked about the things I was experiencing, but still I dreaded coming out about my own struggle. The optics seemed like a disaster. Successful authors don’t complain about how hard it is to make it in the industry and admit defeat. Who wants to buy books by someone like that? It just felt counterintuitive.

I’m still not convinced I’m doing the right thing by talking about it now, but I’m at a place where that’s okay. This will be cathartic and maybe it will be of some use to other writers who might be silently feeling the same way.

When I started writing with an eye for getting published, some ten plus years back, I was really humble about it. Writing was my second career. I was a newbie with a ton to learn. I soaked up all I could about writing craft from books and blogs. I attended conferences and retreats, and I avidly participated in writers’ forums and made a lot of writing buddies. I joined critique groups and for a while co-led a group for queer writers. I was hardly a jaded victim of early success or peaking too soon.

Starting out with my short fiction, I blithely reached for the stars but gratefully ended up publishing in non-paying markets for the most part. Through a writers critique group, I learned that my first novel manuscript, which I labored over three years to write, was total crap, and I spent a year figuring out how to fix it and then another year executing that fix. Then came two years of querying agents and just about every small press that took unagented submissions. Easily, I accumulated over one hundred rejections. I had some really deep lows, but I always bounced back. I’d never been more determined to accomplish something, and I’d never worked harder on anything in my life.

As the saying goes, it just takes one yes, and wow, that yes happened with an LGBT publisher in 2012, and it included a respectable advance.

Still, I like to think I kept my head out of the clouds. Words of wisdom from writers who were further along in their careers helped. Write your next book. What’s done is done. Don’t look back. I had a lot to write. That same publisher picked up my next two books, and I placed a series with a second publisher and a different planned series with a third.

Some of my titles did all right with sales. Most barely broke triple digits, including a title that was a finalist in the Foreword INDIES. I had an agent for a while, but she couldn’t get an editor interested in my title. The disappointments always stung, but I found a way to shake them off, usually in no more than twenty-four hours. I kept focused on both improving my writing and getting better at networking and marketing. And I kept writing books.

In 2019, I had a publishing contract for a short story anthology I’d never dreamed would come to life and a novel manuscript that was getting bites from agents in just my first few queries. It felt like things were taking off.

But then, they didn’t.

Despite a shit-ton of my own promotion, the anthology debuted to crickets chirping. Meanwhile, after all those initial enthusiastic responses to my new manuscript, rejections from agents, then editors started coming in. The wheels came off. There’s another metaphor. I started asking myself: what’s the point? I don’t expect a lot from my investment of time and creative energy, but I can’t keep living completely in the red.

I don’t mean financially. I’m privileged to have a good-paying day job. With that recent manuscript, I’m pretty sure I could work my way over to a smaller publisher and find a home for it. Yet I was thoroughly demoralized by the prospect of doing that.

For what? To take another manuscript I busted my butt to write through the arduous editing and production stages just to have another title out that a handful of people will read?

This is no dis to small presses. Those folks work hard as hell and pour their lives into keeping their businesses afloat because they love books and believe there are stories that need to be shared with the world. This is me talking about me. I took an inventory of myself and decided, I just wasn’t getting enough out of publishing my work. I needed a break. I didn’t have the energy or enthusiasm to keep trying to get published and promoting myself as an author.

I fully admit I’m not the greatest at the business side of writing. I loathe self-promotion, and I’m just not a natural at it. I pushed myself to do it for years, accepting that no writer can say their job is done just because they’ve put together the best story they can write. Even the big house publishers expect their authors to do a lot the selling on their own.

But I came to a reckoning. Do I want to keep grinding to promote a book that’s going to give a publisher a bigger share of the profits? I don’t expect to get rich, and believe me, I haven’t made any of my publishers rich. It’s the lack of an emotional return on the investment that brought me to my knees. And I’m not saying I deserve more because I’m such an awesome writer. But I deserve something, and I just haven’t been getting much.

A sidebar to that reckoning is the type of stories I write, gay fiction, are always going to have a limited readership. That’s not a statement about homophobia or discrimination in publishing or among readers. It’s just what I believe to be a fact. And I’ve got no interest in writing anything different or trying to write to market (whatever the heck that means). It’s a lonely place to be.

So, I’m on a pause from being author Andrew J. Peters. Since the start of the year, I’ve done zero with my mailing list, zero social media promotion, zero with my Patreon page, and zero work on drumming up publicity. It actually has been kind of awesome.

But I know myself. I’ll come back to it sometime. Maybe writing this post is a step in that direction. I don’t know for sure.

Meanwhile, I have been writing and doing something pretty different. It started as an experiment about two years ago: self-publishing my racier work under a pen name. I never thought I’d say this, but I’m really enjoying self-publishing. Yeah, there was that twenty-four hour period when I was in tears because I blew up my website and had to completely recreate it. And I’ve had some meltdowns doing file conversions. But overall, it’s brought the joy back to my writing. I’m not raking in cash from it, but having control over production and marketing makes a big difference for me. The self-promotional work is less dreadful because I’m directly and proportionally reaping the profits. What I put in is what I get out, and the process of building a readership feels more organic. It’s the fresh start I needed.

Thus, the story behind my disappearing act has a happy ending. If you’re curious about what I’m working on, drop me a line. Only if you’re 18 and over though. It’s explicit stuff. 🙂

I’ll end by saying thank you for believing in me and for picking up one of my books and dropping me a line from time to time. Maybe I’ll be back in action writing gay fantasy and young adult books in the future. You’ll certainly hear about it if I do, and I’m happy to keep in touch in the meantime.

Be healthy and well, #BlackLivesMatter, and vote!

I’m on Patreon!

For about a month I’ve been ruminating, researching, and neurotically obsessing over the idea of creating a Patreon page. I don’t have a huge following to draw from for the campaign, but in the end, I opted to take the plunge. Nothing ventured, nothing gained, right?

Patreon is actually a really fun platform for both creators and supporters. It’s super easy to use, has a very reasonable entry point (just $1 makes a difference), and I came up with some interesting ways to share my work with readers including interactive storytelling. My main goals are to raise money for editing, book design, and marketing for the short story collection I’ve been talking about here at my blog; plus I want to get my follow up to The City of Seven Gods out into the world.

But I’ll stop there, and let my Patreon video tell the rest of the story. This part was definitely the most terrifying aspect of setting up the page, but hopefully it came out okay. 🙂

https://youtu.be/TnulgJJ9FtI

And, here’s the link to my Patreon page. Thanks so much for supporting my work!!

Nerites

It’s story time again here, and this week’s installment comes from one of my very favorite Greek myths.

I wouldn’t be surprised if most people haven’t heard of Nerites. He didn’t make it into Edith Hamilton’s seminal work on Greek mythology, and though he earned a Wikipedia entry, it’s pretty sparse. According to the Theoi Project, a comprehensive glossary of mythological figures, his story comes from the Greek historian Aelian (c. 2 A.D.) who wrote about how a spiral shell of exceptional beauty came to be called a nerite. He claimed the story was well-known among sailors.

Nerite shells

Nerite shells, image retrieved from Wikipedia commons

Aelian told the story thusly: Nerites was the son of Nereus, a sea-god, sometimes referred to as the Old Man of the Sea, and Doris, a river goddess who was the daughter of the titan Oceanus. Nereus and his sea nymph daugthers the Nereids were previously noted by several of Aelian’s predecessors. Homer mentions Achilles’ mother Thetis as a Nereid, as is Calypso from The Odyssey, for example. There are said to be fifty Nereids, but only one Nerites, which was one of the curiosities that led me to retell a little story about him. What would it be like to grow up with fifty sisters?

After that brief introduction, Aelian tells two different versions of Nerites’ tale. Both involve Aphrodite and Poseidon, but the outcome of their dealings with Nerites differ.

Both versions say Nerites was a beautiful youth beyond compare (among many other young heartthrobs like Ganymede and Narcissus in fact), and he attracted the interest of Aphrodite who offered him wings if he would be her lover. Nerites refused the goddess, and to put him in his place, Aphrodite turned him into a snail.

Nerites’ sisters begged the god Poseidon to change him back, and he obliged. The mighty sea god was smitten from the sight of the boy, and he offered to make him his charioteer. Nerites agreed, and Aelian says they lived together happily ever after as companions and lovers, even mentioning that the word for mutual, requited love – anteros – derives from Poseidon and Nerites’ love affair.

I thought that was sweetly sentimental and refreshing. I can’t recall any stories of things going well when a god falls in love with a mortal, or a demi-god. In most cases their love interest is forcibly taken. So it goes with the most famous same-sex myth about Zeus and Ganymede, and in others, like Apollo and Hyacinth, the mortal ends up getting killed.

Well, that’s one version. Aelain also recounts a different story in which Aphrodite isn’t the villain, but it’s the god Helios who was jealous, either because he didn’t like Nerites challenging his notoriety for driving a magical chariot, or because the beautiful boy couldn’t be coerced to serve him. So Helios turned Nerites into a snail.

I like the other version better. 🙂

So here in setting up my story, I’ve almost written more than the story itself. I really just wanted to write a brief portrait of Nerites and portray a moment in his life. Without further ado, here’s my story of Nerites.

Nerites and his sisters

This painting is probably meant to depict a young man falling captive to a group of sea nymphs, but it also made me think of Nerites among his beautiful sisters, retrieved from neetwizard.wordpress.com

He combed through the rocky beach, while the tide troughed and swelled, clacking and spitting as it met the shore. He was in search of sea shells. Spiral conches. Black scallops that shone silvery-blue when they caught the glint of the sun. Those were his favorite. If he could find enough of them, he would string them together with ribbons of kelp and fashion a girdle like his sisters wore. Though his would be different, as befitted a boy.

His sisters were inland, high above on the island aerie, all fifty of them, braiding their hair, sewing circlets of pelican feathers to wear around their necks, sunning themselves, or simply gazing out to sea, like a flock of bedded gulls. Such diversions were no longer enough for a boy of sixteen years. His legs were restless and yearned to roam. His eyes thirsted to see more of the world. There was not much of the island he had not trod, but he had not visited this cove beneath the westward cliffs for its shore was gnarled and clogged with boulders, a poor spot to go swimming or to catch anchovies in the shoals.

He wound through outcroppings of black stone, crouching, stretching, and making himself small to look into pockets in-between, to dig his hand inside to feel around. His compact limbs were dusted with sun-whitened, downy hair, and they were strong and well-suited for foraging along the rugged shore. His feet were calloused and good for gripping footholds on the rocks. At times, he had to push aside from his eyes his golden, curled hair. His sisters only cut it once a year, for his birthday, and that had been many suns past.

They called him their ‘little savage’ or ‘little beast.’ He did not know anything of savages to quarrel with them. As for beasts, was he a crab, scrabbling through the beach? Or a sandpiper, pecking between the rocks? He could swim all day long, so perhaps he was more like a fish, though he could not live beneath the water as much as he had tried. His sisters had told him their father was a titan who had a palace at the bottom of the sea. His mother was a goddess who only came to shore to birth their children. And he the last, a misfit in a tribe of beautiful girls. He used to think he would change someday, developing breasts and curves like his sisters. But he knew now he was different. He had yet to decide whether that was for good or ill.

At last, he spotted a pearly conch, there in the sea-soaked pebbles behind a boulder. It was no bigger than the pad of his thumb. He laid atop the boulder, hanging over the side and stretching his hand to grab it. He grasped the shell, closed it in his fist. His now. Pulling himself up, he sat cross-legged on the face of the rock to admire his find. The conch was smooth and pointy and delicate. He touched it to his cheek to feel its textures and then he touched it to his tongue. It tasted like the sea and had tiny freckles like the backside of his hand.

He turned to what sounded like a cyclone upon the sea. And it did look like that at first, except the sun shone bright in a clear blue sky. He had never known a storm to rise from the water, yet his eyes beheld that very sight. He could not look away from it.

Or was it an enormous cresting wave, kicking up legions of spray while it roared to shore? Thinking to improve his view, he stood up from the rock. Within the foamy hail of seawater, now only yards from shore, he glimpsed things that could not be real. A man therein reining a pair of seahorses with forelegs and hooves clopping on the water?

He rubbed his eyes, looked again. Now, he was certain. A man rode the blue-green sea in a chariot pulled by creatures whose top halves belonged on land and bottom halves belonged beneath the water. That impossible mystery was heading purposely toward him. He looked up to the island promontery, scoured the land for his sisters, wondered if he should hide or flee.

Before he could commit himself to anything, the sea beasts reared and brayed on the water, some ten paces from where he stood, their fist-sized nostrils flaring, their hooves kicking up a briny squall that nearly drenched him.

The charioteer’s eyes were upon him.

He thought of course of his father. They had never met, but Nereus, from whom he was named, was said to be the Old Man of the Sea. Then, his sisters had also talked about all manner of fantastical creatures who lived in the ocean: sea dragons, mermaids, and monsters with the heads of bulls and the tails of fish. Though none could say what a man who lived at the bottom of the ocean looked like.

Some instinct disavowed that this visitor was his father, however. This charioteer of the ocean had the bearing of a stranger, and he was older but not old. By his might, the massive trident spear he carried, and the impossible conveyance by which he traveled, he could not be impressed by their encounter, but he held himself quietly, dispassionately, as though he did not wish to startle the boy from their acquaintance. The sea, the wind turned gentle as though bowing to his command.

He had never seen a man, never dreamed of a being built so powerfully, so admirably. The charioteer had wild, dark beards, thick wind-swept hair, and dark eyes, which trembled with fierce emotion. His shoulders, arms and chest were broad and thickly muscled, so strong, he looked like he could wrestle one of his steeds. His gaze never broke from the young man, and he, who had never been clothed in anything besides seaweed necklaces, periwinkle bracelets, he felt for the first time modest in such a state.

“Who are you?” the stranger said. A deep voice which brooked no lies.

“I am a boy.”

The charioteer narrowed his brow. “That is plain to see. What name did your father give you.”

He gulped. “He named me Nerites.”

A quiet smile. Nerites smiled as well. He liked looking at the man. When he breathed in, his smooth skin took on a crystal blue irridescence like a sunlit shoal.

“Do you know who I am?” the man said.

Words rushed from the boy’s lips. “Are you the soul of the sea?”

“No. I am not your father. Would that I could sire a boy as beautiful as you. No, Nerities. I am the Sea’s champion. Bearer of wind and wave. I am Poseidon of Mount Olympus.”

A god. Nerites’ jaw dropped. His sisters had taught him the names of many gods, though having never seen such a magnificent being, he had not been sure whether they were tales to amuse and shock a younger brother who knew so little about the world.

He could think of nothing to say in return, so he held out his hand and unclenched his fist to offer the perfect shell he had found.

The god looked at his hand, and a miracle happened. In a blink, the shell transformed into a gilded armlet, exactly sized to fit around Nerites’ upper arm. He could not explain the magic, but he knew the god had done it. The band was rare and noble. He slid it through his hand and upward to his bicep. He was no longer a naked boy. He was a prince.

“Would you like to drive my chariot?” the god said.

His eyes widened. To hold the reins of giant seahorses. To skate above the waves. Nerites nodded vigorously.

Poseidon beckoned him, and he dove into the sea, swimming to the chariot and taking the god’s big hand to pull him aboard. The god made room for him to stand in front, and he showed Nerities how to hold the ropes attached to the horses’ bridles. Nerities could not fathom what the ropes were made of. They were lighter than any form of cord he had ever held, and he only needed to give them the faintest lift or pull, and they responded to his command. Magicked.

Nerites glanced at Poseidon, and he nodded. Nerites shook the reins as he had seen the god do, and the horses whinnied and galloped forth. The momentum threw him back, but Poseidon stood sturdily behind him. He placed his hand on Nerites’ bare shoulder. It was warm and strong. He would not let him fall.

So he drove the horses faster, farther from the island, out to sea. Waves parted to make way for him. Wind whipped against his face. A school of dolphins surfaced from the water, racing, jumping to follow him—he, the charioteer of a god. Nerites laughed, and then he dug into driving the chariot faster. There were oceans to explore, islands to see, an infinite world unveiled.

Telemachus and His Mother’s Suitors

Hey folks! Continuing with my retold myth project for 2018, I’m posting my next recently completed story: “Telemachus and His Mother’s Suitors.”

I remember reading The Odyssey in high school and being much more enchanted and engrossed than I had been with its partner required text The Iliad. I liked The Iliad for its style and language, the interplay between gods and mortals, and some bits of drama (the Achilles vs. Agamemnon storyline stayed with me the most). But you’ve got to admit: the battle scene passages of “he smote him, and he smote him…” go on and on and are mind-numbing. For me, they kind of took away from the more interesting dynamics between the characters.

Sorry Homer. Everyone’s a critic, right?

The Odyssey on the other hand struck me as a more imaginative, full-fledged adventure. I didn’t even need the Cliff Notes to participate in class discussion or write my paper about it. The story had me glued. I’ve often thought of characters and storylines that would be fun to slash, subvert and reboot, though this is the first time I put fingers to keyboard to do it.

Margaret Atwood wrote a fine re-telling from Penelope’s point-of-view with the Penelopiad, and I suppose I can trace my interest in Telemachus from there. In the original story, Telemachus is a rather impossibly virtuous, ever-loyal son, who scours the world, risks his life to find his absent father. That’s sweet, I guess, but I never really bought it. Atwood gives Telemachus a bit more humanity, though she still portrays him as fiercely loyal to Odysseus, and I found her version, while intentionally and admirably centered on Penelope, who was very much in need of more dimension, at the same time somewhat neglectful of the inner life and motivations of her son.

So here is what I re-imagined for Telemachus. It’s not much more than a brief portrait. Who knows. One day I might take it further.

Telemachus

Pablo E. Fabisch, illustration for Aventuras de Telémaco by François Fénelon, retrieved from Wikipedia Commons

They had overtaken the parlors, overtaken the courtyard, even overtaken the larder Telemachus discovered when he went to fetch a jar of pickled fish to serve the rowdy guests. Stumbling at the portal to the storeroom, he found instead the backside of one of the men. The gentleman’s tunic was unfastened from his shoulder, pooled around his ankles, and he was plunging between the pale and outstretched legs of a girl Telemachus gradually recognized as one of his mother’s laundrymaids. He stood wooden, afraid to make a sound, eyes widening from the sight of the man’s thick and hairy thighs, his starkly bare bottom, his urgent, rutting motions. Then he turned around very quickly and scurried the other way with his head bowed to hide the flush on his face.

The men were beasts, as gluttonous as swine, as horny as the dogs who skirred along the roadway to town, noses to the ground, sniffing out some opportunity. And they were brash and loud and foul-mouthed, and, young Telemachus hated to admit, they were woefully appealing with their clothes undraped while they staggered through the hallways and lay across every bench, divan, and table in the house. He tried to avert his gaze from bare chests, hardened arms, roguishly handsome faces. Some of the men had even thrown up the skirting of their robes to dance around like woodland satyrs.

It was a feast for his eyes, yet a terrible affliction. What kind of man was he, to desire his enemy? They had pushed into the house with no regard for its owners, and if he were not so girlish, he would do something about it. His mother had locked herself up in her bedroom. By right, Telemachus was master of the house. He knew he should protect his family’s honor, to stand up for himself for that matter. But he shrank from the thought of challenging the men, rousing a fight. He was one, a youth of nineteen years, whose awkward tries to raise his fists, heft a sword for martial training had exhausted his tutors’ patience and drawn laughter from his peers. The guests were dozens, some of them soldiers, some twice his age, some twice his size. Who would heed his command?

This was his father’s doing, or was it his own? Telemachus could not say, and it left him feeling as useless as a skittish cat. All he could think to do was to appease the guests and hope they would leave him be.

Grasping for some purpose, he went to the cellar to drag up another amphorae of wine. There was no one else to do it. The servants had abandoned the house with the exception of some of the maids, and those that remained were carousing with the guests, sitting on their laps, laughing while the men nuzzled at their breasts, and playing games of chase around the courtyard. No, he was not even as consequential as a skittish cat. He was a ghost amid a party to which he had not been invited.

His grandfather had foreseen his inadequacy. He had told his mother: Without a father, how is he supposed to grow into a man? This, when Telemachus was just a child, and before Laertes fell ill, unable to become a surrogate for an absent father. His father had sailed off to the war in Troy when Telemachus was just a baby. That had been nearly twenty years ago. Already, three years past, the first warship had returned to harbor hailing the victory of the Achaean alliance, yet his father had never returned.

They had said Odysseus survived the battle. Two men avowed he had been among them when they celebrated the sack of Troy with a great victory feast. Odysseus the Wise, they had called him. They had said his father had conceived the strategy which had led the Achaeans to victory.

At the time, the soldiers had beseeched his mother not to despair. The voyage home had been difficult. Angered by the defeat of the Trojans, mighty Poseidon had beset their ships with rail of wind and waves. Could be Odysseus had been forced to make harbor along the way, awaiting gentler conditions to try the sea again.

His mother had not despaired, but they both knew three years was an awfully long time to wait to make a journey home. Sometimes, Telemachus wondered if word of him had travelled to his father, and he had decided to make a family elsewhere due to the shame of him. He wasn’t wise, nor brave, nor strong, nor skilled in military arts. He certainly was not fit to be king of Ithaca, and meanwhile the country needed a king.

Two big jugs of wine, the height of Telemachus’ chest, were left in the cellar. Telemachus heaved and dragged one of them up the stairs to the kitchen and hunched over himself to catch his breath. The floorboards were gritty with dirt. They had been unswept for days. Everything was in disarray—vegetable peels strewn on the counter, piles of plates and cups in the wash basin, cupboards thrown open revealing bare shelves. It was a terrifying situation when Telemachus thought about it, so he tried not to. What would happen when all the food was eaten and the last amphorae of wine had been drank?

Straining his legs and his back, he hefted the wine jug into the clamor of the courtyard. The men spotted him and raised their voices in a hearty cheer. Telemachus turned his face from them, smiled and blushed. Well, he could not help but be enchanted by that nod to him belonging in their fraternity.

One of the guests stood up from his stool and swaggered toward him. Telemachus tensed up, expecting trouble, and equally abashed by the sight of him. The man was only clad in a tunic skirted around his waist. Telemachus tried not to look upon him directly, but his damnable eyes were always thirsty. The fellow was admirably built, in the prime of manhood. Broad-shouldered. Brown-berry nipples. A thatch of curled hair in the cleft of his chest. The man’s face was a further delicious horror: square-jawed, probing, dark-browed eyes, an auburn beard flecked with gold, and a rakish smirk. Telemachus was excruciatingly aware of the courtyard quieting and attention fixing on him, the queen’s son.

The man clasped his shoulder in a brotherly way. His big, warm hand sent a melting sensation through Telemachus’ body. He pried out a square look from Telemachus, and he winked at him. Then he brought out a coring knife from a leather holster strapped around his thigh and helped uncork the jug so the men could refill their goblets.

A glimmer of mirth passed over the man’s face, and he looked out to the courtyard. “If we cannot have the queen, perhaps we should have her son?” He whopped Telemachus on the bottom with the outstretched palm of his hand, sending Telemachus teetering, nearly doubling over himself.

The courtyard brayed with laughter. The man wriggled his eyebrows at Telemachus and strode back to his companions. Telemachus stole into a darkened corner of the courtyard, burning even hotter in the face. The sparks from the man’s wallop lingered, and he was stiff between the legs. He discreetly fanned the skirting of his princely chiton, shifted his weight, trying to relieve that painful ache before anyone caught a glimpse of it.

When it was gone, he drew up to a spot where he could see his mother’s bedroom. A single house guard was posted at the door, scowling at the commotion below. The man had been employed since before Telemachus had been born and would lay down his life to protect his mother, but he had grayed and turned soft-bodied. He was hardly a barrier if the guests decided to storm the queen’s quarters. Every other house guard had run off in a mutiny, likely corrupted by the men who had invaded the house. The men’s commotion felt charged, ready to explode with violence.

Telemachus snuck up the stairs to have a word with his mother.

~

The shutters had been drawn in his mother’s bedroom, perhaps to drown out the noise below. It was not a particularly cool, late summer evening, and the room was musty. She had lit a pedestal of candles on the table nearest to her bed, and it filled one corner of the room with a warm, fiery glow. Telemachus swam through a lacuna of darkness to her bedside. Her room was drenched in a pleasant lavender scent. Telemachus would always associate that fragrance with his mother, an olfactory memory of comfort and confession.

She was bedded with a funereal shroud on her lap, staring at the woven fabric as though it held wise secrets to decipher. She had finished the shroud one week ago, a pretext for putting off her marriage.

After a year of his father’s absence, the elder council of Ithaca had appealed to his mother, saying it was time Odysseus was declared dead, or—what most had judged—delinquent. Every Ithacan soldier had returned from Troy, whether on his own two feet or on a funeral bier. Ithaca needed a king thus Penelope must marry. In worldly cities like Athens, where free men voted as one body, they had even established laws to permit remarriage after a year of husbandly abandonment.

Penelope was not a woman who bowed to the opinions of councilors, however. She had announced she would not entertain any offer of matrimony until she had finished the shroud for her father-in-law Laertes, who was not long for the world. Meanwhile, she had ripped apart her progress each evening to start anew. By providence, Laertes had held on for years. Not so Penelope’s scheme. They knew not who had revealed the truth. Her body servant? A spiteful maid? Well, it did not matter. The ruse was over, and now their house was under siege by every man of marriageable age across the island.

Telemachus stood beside his mother for a moment before she turned to him as though suddenly awakened to his presence. She smiled at him in her easy manner. They said she was not beautiful like his aunt Helen who had roused the world to war, but she was beautiful to Telemachus. And when she looked at him so warmly, so proudly, he felt beautiful too. She reached out to touch his arm and patted the bed, inviting him to sit.

She read the worry on his face. “What is it, little lamb?” He sat down, faced away from her. They could hold no secrets from one another, even in silence, and what worried him was hard to say.

“How long will you hide yourself?”

It came out harsh, accusatory. She sat up, took his arm, pulled him gently toward her, but he resisted. Her lavender scent, mixed with the smell of her worn bedsheets, surrounded him.

“You have to choose,” he said.

She leaned against him, her face above his shoulder, trying to nudge out his gaze. Not succeeding, she picked at the ends of his wavy, flaxen hair. “Must I, little lamb? Would that you had been born a girl. Then we’d simply marry you off and have a prince-in-waiting to succeed the widowed queen.”

He shrugged away from her.

She laughed. He knew she had not meant to mock him. His mother was never cruel in that way. Teasing and bossy, perhaps, but never cruel. They only had each other in the world.

But she needed to act. The horde of men below them would only contain themselves for so long. Their hollers and bawdy chatter carried through the house, and some of them had risen up in a chorus, calling out his mother’s name.

Her warm hand clasped his arm. “Who would you choose for me?” she said. “A handsome man like Antinous, the horse-trainer? A wealthy man like Amphinomous, who owns the shipyard? Or Eurymachus, a man more like your father, always tinkering with his gadgets and playing at being a philosopher?”

Telemachus grinned in spite of himself. If it were he entertaining suitors, he would choose the auburn bearded man who had slapped his bottom. His skin was still alive from the man’s touch, and he was quickly blushing again. But a son did not choose his mother’s husband.

He scolded her, “This is not a game.”

“It is precisely a game,” she insisted. “Do you believe each one of those men downstairs has been stricken by my beauty and come to win my heart? No, they’ve come for my father’s dowry. What little is left of it. Or, they’ve come for the power to rule. For kingship of Ithaca. Of which they will be similarly disappointed.”

Their farmland had been untilled for months. The house was starting to look a shamble, and in terms of country, Telemachus followed somewhat. Ithaca counted for little in the world, particularly now that the war was over, and the Achaeans had returned to their tribal states. Men sought greater fortunes on the mainland: Sparta, Corinth, Thebes. Ithaca was an island of fishermen and peasants.

“I’ve had enough of marriage,” she went on. “One year was plenty.”

He turned to her and scowled.

She eased up beside him, held his shoulder. “Do not be moody. You know I would not have traded being your mother for all the riches in the world. But if I had had to live with Odysseus all these years…” She shivered from the thought and came back to Telemachus again. “I believe your father and I had the perfect marriage. Men and women should not be forced to live together for longer than a year. I think I shall suggest that to the elder council. A new statute for Ithaca: every husband must be sent to war no more than one year after the consummation of his nuptials.” She laughed. “What do you think of that?”

He frowned. His mother was so strange. She hadn’t a romantic notion in her head. Did not people fall in love? It was said his aunt Helen had. She ran off to another country to be with the man she loved, rather than settle on a marriage to the man her father favored. His mother told that story as though her sister had done a very foolish thing, as everyone in the world did foolish things in her estimation. But it used to keep Telemachus up at night imagining golden-haired Paris, wondering if a man like him would ever steal him away to a faraway kingdom.

“I see I have not convinced you,” she said. She sat up, smoothed out her smock. “Well then. Do you want another father?”

He shook his head.

“Good. It’s settled. No husband for me. No father for you. We run wild, as cats.” She smiled, glanced at him, contrived a more serious look. “Though I shall not stand in the way if you should like to marry. You’ve nineteen years. A respectable age. Should you like me to start looking for your wife?”

He gaped at her. “No.”

“Splendid,” she proclaimed. “Then we shan’t ever have to send you away to war.” She took his hand, squeezed it. “That makes me the luckiest mother in the world. To have a son who will never leave her.”

He squeezed her hand back. He had not thought of leaving her, in any practical way. Though a man does leave his mother someday, doesn’t he? Gray thoughts returned to him. “What will you do?”

She took on a playful air. “What shall I do?” she repeated. “Enact a contest to win my hand? What do you think? A round-robin bout to the death?”

He smirked at her reproachfully.

“Too gory? Well then…” An idea flashed in her eyes. “I do love an archery contest. And it is said an archer has the soul of the centaur. Always wanting the freedom to roam. Never setting down roots.” She sat up straighter, gaining inspiration. “Let us enact a challenge. Have we still your father’s axes in the backhouse? The ones with eyes on their heads?”

Yes, he remembered seeing them. There were twelve ornamental axes hung up on one wall, some dusty collection that must have passed down to his father. They had never been used.

“Let us set them up, eye to eye, and see who can send his arrow true through all of them.”

Telemachus tried to picture it. “That’s impossible.”

“Oh no. I do not think so,” she said. “It is a feat that can be done by the deftest and most honorable of men. A man who has been blessed by Artemis, the mighty huntress herself. Each contestant shall get one try, and whoever succeeds can claim me, along with the throne of Ithaca.”

He scoffed and awaited her laughter. It did not come.

“In the morning,” she told him. “Go to Eumaeus, the swineherd. Tell him what I have planned and that we need wood to build a rack. He will help. For some reason, known only to the gods, he was always fond of your father.” She added: “Do not encourage Eumaeus too much. Lest we be tending pigs the rest of our lives.”

She smiled at her little jest. He wondered how he had turned out so meek, so uninspired while she was clever and fearless, and his father, by rumor at least, was wise and bold. The swineherd’s farm was down the hill from their estate. He would go to him at dawn and waste no time in getting his mother’s enterprise underway.

Telemachus sat up from the bed and nodded. Then he left his mother to spy upon her guests.

~

The men had quieted by a measure when he returned downstairs. Someone was plucking a lazy, melancholy melody on a kithara in one of the front parlors, and mad, girlish laughter traveled from another room. Telemachus nearly tripped upon a man who had laid down on the dusky side of the courtyard. Stepping around the body, he saw no blood, no injury, and he heard drowsy, nasal breaths. The fellow must have overdrunk his fill.

Telemachus breathed air into his lungs, smoothed out his chiton. If what he was to do was to be done, he could not think about it too long, allowing faintheartness to overwhelm him.

So he edged around the courtyard, taking account of a cluster of men rolling dice. The number of guests had dwindled and those who remained were heavy-shouldered, glassy-faced. He recognized Antinous, who his mother had spoken of. The fair-haired equestrian was slumped against a beam, his eyes shrunken to a squint. Some of his mates bantered around him. They were all too preoccupied, too slow from drink to notice Telemachus slip by.

A terrible thought occurred to him. Had he returned too late?

He looked in on a front parlor and quickly stole past the door. A trio of naked maids were swaying in a clumsy dance, and he had seen two, maybe three shadowed men strewn around the room, staring at the girls deliriously. Possibly, most of the guests had gone home for the night, though there were other parts of the house for Telemachus to investigate.

While he dallied, a big, brute stepped out of the water closet across the way. His gaze found Telemachus, who was temporarily stricken to stone by his discovery. The gruesome bounder looked him up and down. A wolfish grin sewed up on his face. He called out, and Telemachus got his legs moving again, hastily retreating toward the kitchen, and then crossing the way beneath the staircase where he hoped the man would not find him. He listened and peeked back to the front of the house. It seemed the man had decided not to pursue him.

Now he was sweating and felt very foolish. He ought to abandon this dangerous endeavor, go up to his bedroom and bolt the door for the night. Yet that was not the man he wanted to be, at least for once. He dried his brow with a kerchief and looked around the yard again.

Some paces away, the door was open to a bedroom which had been the quarters for the male servants before those traitors had left him and his mother to fend for themselves. The faint glow of an oil lamp spilled out to the yard. Telemachus heard low voices. He stepped lightly over to see.

A small company of men were distributed around the pallets, slumped and weary, passing around an urn of wine. They slurred a conversation, which seemed of little consequence. One fellow collapsed onto his back. The others laughed, tossed back more drink. Staring keenly, Telemachus beheld a man in one corner shaving a brick of wood with a hand knife. Light was stingy in the little chamber, but he recognized the size, the shape of his bare shoulders, his dark, romantic eye brows, the timbre of his beard.

What to do? Four other men were in the room, and if any of them should see him, they might decide to try some mischief with the queen’s son. Telemachus had spent his life steering well aloft of gangs of soldiers who doled out miseries to timid, unaccompanied members of their gender. He steeled himself and stared at the auburn bearded man, imagining him lifting his gaze and looking to the door.

The moment came. Maybe he had harkened to a displacement beyond the room or noticed a shift in lighting from the doorway. Maybe he had a preternatural sense, feeling the young man’s eyes upon him. He dropped his woodwork onto his lap and blinked. A grin bedeviled Telemachus, and he composed himself with one hand on the doorframe, fluttering his eyes as a forest nymph might beckon a handsome stranger (had he truly been so bold?). The man took a quiet account of his companions and came back to Telemachus with a question mark on his face. The prince gazed over his shoulder, raised one corner of his mouth, and then he snuck slowly down the hall.

His heart pounded in his chest. Would the man follow him? His stomach was strung up tight, and his head was so terribly scrambled, he could not tell if a footfall traveled after him or he was imagining it. Into the darkened kitchen, he heard what sounded like dragging steps behind him. What had he done? Seducing his father’s enemy? Did that not make him a traitor? Yet what loyalty did he owe Odysseus? His father had not shown loyalty to him. No, this was what he wanted, and if he did not do it now, then when?

Telemachus stepped into the larder. By grace, the storeroom was vacant. Only the disorder from its previous occupants remained: shelves topped from walls, tins and jars spilled and broken on the floor. This was the place where he would have his own tryst, and whether it blossomed into a love affair that would change his life forever or counted as no more than a stolen moment of happiness, well, so be it.

He turned back to the portal and set his eyes on a dusky silhouette in the door frame. The man stood still for an excruciating moment, and then he closed in on Telemachus. Their mouths found one another, and they tore at each other’s clothes.

# # #

If there’s a classic myth you’d like me to try my hand at, let me know! You can also pick up my story “Theseus and the Minotaur” at Smashwords.

Werecat #1 hits 10,000 downloads!

I thought I’d share this big milestone, as I’ve posted previously over the year about my progress with new marketing strategies for my Werecat series. You can find my first post from last summer here, and another update from last September here. I recently received my royalty statement from the second half of 2017, and the big update is that The Rearing (Werecat #1) has now been downloaded 10,000 times at e-retailers!

It’s true the great bulk of those occurred after the e-book went permafree in late June 2017, and that the great bulk of the downloads were at Amazon, where my publisher has spent the most time tweaking tags and advertising. That title soared to #1 in its category at the Kindle store (“gay fiction”) pretty soon after it went free, and it hovered in the top ten through most of 2017. More recently, downloads have slowed down a bit, but it has stayed between #20-40, with occasional spikes, so that’s been nice to see.

There’s definitely been an increase in buy-throughs with the series as books 2-4 have been getting more sales compared to the previous year. A lot of the time, I see a jump in the sales ranking of all three books, which is an indication that people are buying the series all together. So in my opinion, bundling works.

Another thing I’ve gone after is reviews, and for sure there’s been some progress there. The Rearing had all of nine reviews at Amazon before it went permafree in June 2017, and now it’s up to twenty-three. The uptick is even more dramatic at Goodreads, where it started at twenty-one ratings/reviews and now is at seventy-four. The other titles have gotten reader reviews here and there, though it hasn’t been as brisk as I would have liked to have seen.

The series has gotten some nice industry reviews, and I’ll share a few recent ones:

From Underground Book Reviews – Werecat: The Trilogy

From Scattered Thoughts and Rogue Words – The Sim Ru Prophecy (Werecat #4)

I’m hoping to keep the momentum up and surely do appreciate your help! If you read the books, you can share your rating and review. Anywhere you talk about books is helpful. Amazon is probably the best place from my perspective, and Goodreads is great too. 🙂

Of course, if you haven’t had a chance to dig into the series, buying copies is wonderfully grand. I’ll share the links right here. With the Trilogy, you get books 1-3 together, and of course you can buy them separately if you wish.

The Rearing (Werecat #1)The Glaring (Werecat #2)The Fugitive (Werecat #3)Werecat: The Trilogy

 

 

 


The Sim Ru Prophecy (Werecat, #4)

 

 

 

 

Last, something really easy-peasy you can do that helps a lot to raise the profile and spread the word is like or follow me on social media:

Facebook

Twitter

Goodreads

Many thanks! xo