The Next Big Thing: C.A. Clemmings

I’m posting the on-line interview from my final Next Big Thing taggee.

I met C.A. Clemmings at Absolute Write about two years ago, and our exchange about the challenges faced by LGBT writers turned into a long-term camaraderie. We frequently critique each other’s work and provide encouragement for our respective writing journeys.

Meet literary fictionista C.A. Clemmings!

Writer C.A. Clemmings

 

What is the title of the book?

I have a novella and a short story currently in progress. The title of my novella is Rebirth, and the title of my short story is “Placencia.”

Where did the idea come from for the book?

For Rebirth I drew inspiration from Bad Girls, the TV series about women in prison. Since my ideas originate with character, however, I wanted to write about a woman who comes out of that kind of environment and to examine how she rediscovers and redefines herself in society.

“Placencia” was supposed to be a fun, easy project. It was an attempt to take a “vacation” from the extensive work that goes into longer projects. Turns out it takes just as much effort for me to produce a short story.

What genre does your book fall under?

Literary Fiction 

What actors would you choose to play the part of your characters in a movie rendition? 

I had not given much thought to this, and when I did, I found it difficult to select the right actresses who could embody my characters. I think I will leave up to readers to shape the characters with their own imagination.

What is the one sentence synopsis of your book?

Rebirth is about Nicolette, a young ex-convict who goes to live on ranch that once belonged to her deceased parents, and ends up acquiring a racehorse and an attractive female jockey who convinces her to get into the horseracing business, which inadvertently unearths Nicolette’s parents’ shady past.

“Placencia” is a about a woman who, while on her way to meet her girlfriend for their vacation together in Honduras gets thrown off-course and ends up in Placencia, Belize, where she is tempted by an alluring woman and encounters a fisherman who is a haunting reminder of the father she’s never met.

How long did it take you to write the first draft of the manuscript?

The first drafts of both Rebirth and “Placencia” were completed in a few months, however the process of transforming them into their current versions took considerably longer.

Who or what inspired you to write this book?

In general, I am inspired to tell stories about ordinary people with an enigmatic quality. For Rebirth, I was inspired to write about a woman who had lost nearly everything and had been stripped down to her “flinching muscles.” I wanted to rebuild her and bring color back to her life.

“Placencia” was born out of the idea of taking a vacation away from the things that we obsess over in our daily lives such as work, relationships, and our families. However, interestingly enough for my main character Elodie, Placencia becomes the place where she finds herself confronted by the things that burden and haunt her: the tremendous fog of failure and the potential for failure that seems to envelope her, and the unresolved issues that stem from not being given an opportunity to know her father. The impact of this is depicted in Elodie’s aimless spirit. I enjoyed writing Placencia because it allowed me to explore this flawed and self-absorbed woman, who at the end of the day is good-hearted and makes the right decisions.

Is your book out in print, upcoming from a publisher and/or represented by an agency?

Rebirth and “Placencia” will be self-published in the spring.

For more about Clemmings and her projects, visit her website.

My On-Line Interview – The Next Big Thing Project

Here’s the skinny, my “next big thing,” as prompted by author John Copenhaver last week:

What is the title of the book?

Werecat: The Rearing

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Where did the idea come from for the book?

It started as an experimental piece. I got turned on to shapeshifter and vampire stories only recently, and, as with most everything I read, those stories made me think: how could I write a great story in that vein from a totally queer point-of-view? Not just with gay or lesbian sidekick characters – I wanted to create a gritty, sexy love story between two men that was central to the plot, and really central to a fantasy world. I’m also fascinated by cats, so writing the fantasy aspect came pretty naturally to me.

What genre does your book fall under?

Urban fantasy

What actors would you choose to play the part of your characters in a movie rendition?

I actually blogged about that subject before my book got picked up by a publisher. What writer doesn’t daydream about casting her/his work? For Werecat, it’s extra fun because I think feline shapeshifters would have to be sexy and dark. I imagine an underground world populated  by hot, scruffy men, high-shouldered and lean, sort of a throw-back to the grunge or heroin-chic model trend of the 90’s. They would have to have great eyes too.

My main character Jacks is a lost, rebellious college drop-out, and I’d be delighted to cast François Arnaud from the Showtime series The Borgias in that role. Jacks’ love interest Benoit would have to be smoking hot with a dangerous vibe. My first pick is Michael Fassbender. Then there’s a supporting character Farzan who may or may not get in between Jacks and Benoit. Farzan is tightly-wound and kind of goofy. He makes me think of Kal Penn from Howard and Kumar.

What is the one sentence synopsis of your book?

Werecat: The Rearing is about a young man who goes to Montréal for Spring Break, gets picked up by a handsome drifter, and ends up on a terrifying and erotic journey into the world of feline shapeshifters.

How long did it take you to write the first draft of the manuscript?

Werecat: The Rearing is the first book in a series of novellas, which are 20-40K words apiece. I wrote the first draft in about three weeks.

Who or what inspired you to write this book?

Allison Moon’s lesbian werewolf novel Lunatic Fringe was a major departure point. Beyond her excellent re-imagining of werewolf mythology, her book made me think about the similarities between the shapeshifter trope and the experience of being queer, both in obvious ways like having to hide and being misunderstood, and in ways that are important to me politically and spiritually.

I think there’s something liberating about being able to inhabit two worlds. Queer people learn how to fit in, and sometimes pass within a heterosexual world, and we also cross “genders” at least in our private lives if not publicly. The Native American idea of two-spirit intrigues me – possessing both a female and a male aspect – and I could go on about that subject extensively. Suffice it to say, when I started writing about gay, feline shapeshifters, I found opportunities to explore the different facets of having a dual nature — socially, sexually, and politically.

I also worked a good bit of cat mythology – ancient world and native – into the story. Retold myth and legend is a fairly steady thread in everything I write.

Is your book out in print, upcoming from a publisher and/or represented by an agency?

NewVPBlogo72dpiWerecat: The Rearing will be published by Vagabondage Press and is upcoming in May.

Authors I am tagging next for The Next Big Thing Project:

Lydia Sharp – YA contemporary, fantasy, and romance author and blogger extraordinaire

Charlie Vazquez – Avant-garde author, poet, and master-of-ceremonies for New York City’s underground literati

Christopher Keelty – Fantasy/sci-fi author and civil rights activist

C.A. Clemmings – Author of literary novels and short fiction

 

 

The Next Big Thing Project!!

My friend and fellow author John Copenhaver recently tagged me in The Next Big Thing Project.

TNBT is basically an author chain-mail where you’re tagged to answer a questionnaire about you book — whether out in print or in development. The chain-mail rules are:

1. You have to answer nine questions about your book (or project).

2. You have to tag at least five other authors to complete the questionnaire on their website/blog, and put up their links.

I’ll be cross-posting my taggees’ questionnaires here as well. I think it’s a cool way to get to know the work of up-and-coming authors, and–of course–to enhance our profile.

So, meet the talented (and handsome) John Copenhaver who hooked me into this chain…

Author John Copenhaver

 

What is the title of the book?

Dodging and Burning.

Where did the idea come from for the book?

My inspiration came from two separate but connected events: My reading of Walter Benjamin’s analysis of photography, and my decision to come out of the closet as a gay man. Benjamin argues that photographs distort reality and only can be given value if paired with the right caption. Being in the closet is like being a photo without a caption. The only way to correct that distortion is to tell the story behind the façade. Dodging and Burning is the mystery behind a crime scene photograph, but more accurately it’s an exploration of the way photos can twist our understanding of others and ourselves if their captions remain unwritten, their stories untold.

What genre does your book fall under?

Literary Mystery.

What actors would you choose to play the part of your characters in a movie rendition?

I love this question, because I think about it a lot. Sadly, most of the actors I’d cast are dead. One of my main characters, Bunny Prescott, is based on Gene Tierney; in fact, other characters tell her that she resembles Tierney. But, to play fair, I’d cast Elle Fanning as Ceola (my earnest teenager), who has both gravitas and levity, Saoirse Ronan as Bunny (my love-confused debutant), who can be chilly and vulnerable, and Andrew Garfield (my wounded gay war photographer), who is wonderful at playing pained but not self-indulgent characters. I loved him in Never Let Me Go.

What is the one sentence synopsis of your book?

Two young women attempt to solve the mystery of the photograph of beautiful corpse only to discover that the true mystery lies in the heart of the photographer.

How long did it take you to write the first draft of the manuscript?

Three-years. Keep in mind of course I was working full time as an English teacher. It took several more years to whip it into shape.

Who or what inspired you to write this book?


It began at Bread Loaf English of English when I took a course called “Photography and Modernity.” It changed the way I looked at photography and, eventually, all visual media. Also, I read Margaret Atwood’s The Blind Assassin, a genre-bending novel, a masterpiece that skillfully weaves together low and high forms. And of course, my own personal journey out of the closet. My theme, as I see it, is the need for narrative. Images without narrative (or worse images with a false narrative) can twist our understanding of reality, pushing us further from empathy and deeper into darkness.

Will your book be self-published or represented by an agency?

I’m represented by the fabulous Annie Bomke of ABLiteary and currently in search of a publisher.

For more about John Copenhaver, check out here.