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Angel Fiction Wars: Anne Rice vs. Danielle Trussoni

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Some months back, I read Anne Rice’s Angel Time and posted my impressions here.  I just finished Danielle Trussoni’s Angelology, so it’s time to throw the literary gauntlet down.

A quick synopsis of Trussoni’s book:  The story is about Evangeline, a young nun/librarian, who is pulled into the secret world of Angelology by a seemingly routine request.  A scholar Verlaine, hired by a mysterious, ailing man, wants information about a correspondence between her convent’s founding abbess and the philanthropist Abigail Rockefeller.   Quickly, Evangeline’s quiet and secluded world unravels.  The two women’s archived letters point to a conspiracy to protect Evangeline from a brood of fallen angels (the Nephilim) and a hidden society of angel “scientists” determined to release mankind from Nephilim oppression.

While Rice and Trussoni take inspiration from Catholic angel lore, the contrasts between their books could hardly be greater.  Rice’s angels are beneficent otherworldly souls; Trussoni’s are re-imagined creatures, some led astray by their lust for mortal women (The Watchers), and their hybrid offspring (the Nephilim) are as status-hungry as the 18th century French aristocracy.

Rice treads the themes of lost love and redemption.  Trussoni’s story is essentially a young woman’s coming of age against a backdrop battle of good versus evil.  Stylistically, Rice writes lush prose infused with startling emotion.  Trussoni is a story-weaver who threads biblical, art history and ancient mythological intrigue at a pace that draws comparisons to Dan Brown’s The DaVinci Code.

Another contrast is the two books’ reception in the market.  Angelology wins out big in terms of press reviews.  Angel Time received measured praise but actually edges out Angelology according to readers (at least based on Amazon reviews).

Rice delivers an elegant, tragic tale that starts out slow but draws you in with a great sense of character and place.  Trussoni gives you an awesome page turner that stumbles a bit in the middle, picks up steam again, and then the ending, ugh the ending (no spoilers here, but you can check out what readers have to say at Amazon).  Trussoni sets the bar high with an amazingly researched, complex premise so I give her points for that.

When the people speak (per Amazon), Angelology gets 3 stars and Angel Time gets 3 and 1/2.  I think that’s about right, and I’m the first one to be surprised by recommending an atmospheric, slow-burner over a gripping, layered mystery.  But they’re both good reads, and I’ll entertain all protests on Angelology’s behalf.

On the Gay-o-Meter, it’s no contest; Angel Time wins hands down.  Angelology’s Verlaine is a self-proclaimed Metrosexual, and if you squint real hard you could possibly imagine him as a sexy guy.  But Angel Time has dark, brooding hitman Toby O’Dare who plays the lute, and the portrayal is totally believable.  I’m afraid you just can’t beat that.

The Post-est with the Most-est

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All that title means is that I’m feeling a bit silly tonight.  Maybe because posting here buys me a break from the big re-drafting of my novel, a process I started about a week ago.  I wrote a new opening scene that I’m pretty happy with, but it’s hard people, hard!

In the meantime, I continue reading.  I recently finished Anne Rice’s ANGEL TIME, and I’ll share my impressions here.

A brief synopsis:  ANGEL TIME is the story of a hitman named Toby O’Dare who is visited by an angel and given a chance to redeem himself by traveling back to 13th century England to save a community of persecuted Jews.

My previous attempts to read Anne Rice were aborted after the first twenty or so pages.  Having gotten through ANGEL TIME from cover to cover, I’m feeling more positively disposed to Ms. Rice.  I think she’s at her best when she’s “telling” versus “showing.”  She writes long, introspective passages that at times achieve brilliance.   Against her LeStat series, ANGEL TIME is a comparatively slim volume, which is perhaps why I didn’t have as hard a time with it.

But on the whole, I could’ve done with less exposition and less of Toby O’Dare’s constant contemplation.  The first half of the book is almost entirely backstory – a compelling backstory for sure, but rendered at a pace that left me anxious for some action.  The second half, which deals with Toby’s mission to save a Jewish family falsely accused of murdering their daughter (a common circumstance during the Christian fanaticism of 13th century Europe), moves along with much more suspense and intrigue.   The story rings true, the characters come to life, and it makes for enjoyable historical fiction.

I do have a new appreciation for Anne Rice’s unique sensibility, which appeals to so many gay men.  Her toughened hitman Toby plays the lute!  I thought that was pretty damn cool.  Plus Toby cries, both in sorrow and happiness, through something like 25 percent of the story, and he has a deep emotional connection to his angel savior Malchiah.  One could imagine that something more than loving reverence could develop between the two (maybe it’s forthcoming in the series’ next installment).  Anyway, as a reader, I felt that somewhere in ANGEL TIME’s tragic, supernatural world, there was a place for me, and that’s big props to the author and quite unexpected.

It’s hard to evaluate ANGEL TIME without dealing with Anne Rice’s strident religiosity.  She has publicly and self-righteously announced that she has given up writing about vampires and witches in order to devote her literary projects to Jesus.  As such her portrayal of angels is literal, with few surprises, and gets a bit “message-y” for us non-Christian readers.  Let me qualify that.  I don’t mind novels with a message, but I veer away from stories where the message is accept Jesus as your lord and savior or perish in eternal hell.  There’s some of that familiar refrain in ANGEL TIME.  But the story also speaks to the possibility of redemption even for those who have done “unforgivable” things, an intriguing concept that I think resonates beyond the Christian community.

A Quickie

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I’m jotting off a little post in the midst of a heavy work week and health insurance headaches (health insurance companies are Evil, medical facilities are Evil, they are all EVIL!!).  But I’m nearly done with an article on John Rechy’s City of Night, and it should be cross-blogged here and at La Bloga soon.  I haven’t returned to editing my novel, somewhat intentionally.  Now with two weeks distance from the last draft, fully de-pressurized I think, I’m ready to go back.  To get a leg up on “angel” novels, I started reading Anne Rice’s Angel Time.

And a word about the Oscars…

Sometimes it’s more about the acceptance speeches than the cinematic performances, isn’t it?  So while I’ve seen neither The Blind Side nor Crazy Heart, I was delighted that Sandra Bullock and Jeff Bridges won.  I did see Precious and loved that MoNique got Best Supporting Actress.  Beyond that, I decided it was time for me to see The Hurt Locker and Up In The Air.  Wish there had been more of Steve Martin and Alec Baldwin and less Best Picture segments.  I agree with the principle of nominating more movies to encourage folks to check out worthy, sleeper flicks, but it sure made the awards show drag.

Angels vs. Vampires

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My work-in-progress is about gay men and angels, and lately I’ve been worried.  This probably happens to every writer:  as you near the homestretch, you start noticing all the recently released books or movies similar to your story and panic that they’re going to cancel out the unique appeal of your novel.  On the other hand, hitting on a trend could be a very good thing for a debut title.  This has certainly been the case with vampire stories.

I don’t read vampire stories so I cast no judgment on them.  Something about vampires clearly taps into our collective unconscious, and there have always been plenty of vampire stories around.  But since Twilight’s success, bookstores have set up entire sections for this fantasy sub-genre.  Like I said, I haven’t picked up one of them, but some of them have some pretty enticing cover art.  And vampire movies are coming out like every other month.  The latest Daybreakers I just might go see.

Some people say the vampire trend is going cold.  Some people said that a year or two years ago.  The bubble has to burst at some point I guess just like the real estate market in the new millennium.

Vampires have infiltrated the gay fiction market as well.  A search on Amazon pulls up pages and pages of gay vampire novels, erotic and otherwise, all released in the past three years.  The only gay vampire book I read, back in the ’90’s, was Vampires Anonymous by Jeffrey McMahan. It was really good.

Angels seem to have a quieter following.  There’s the inspirational and melodramatic stuff out there, but no mainstream angel franchise that I can think of in terms of books and no angel fiction display case at my local Barnes and Noble.  Maybe they’re too sacred to exploit as a fantasy series.  Maybe people prefer to read about angels within the sanctity of the Bible.  Maybe this is why I was drawn to the subject as an excellent target for subversion.  But lately, there’s been a bunch of angel novels in the new release section of the bookstore.  Anne Rice’s Angel Time is out as part of her new Songs of the Seraphim trilogy, and YA author Lauren Kate has the angel-inspired series Fallen.  Plus film-wise, there’s the big budget Legion and James Cameron is working on a blockbuster based on the manga Battle Angel.

This shouldn’t worry me too much, I tell myself.  My story is equal parts contemporary gay issues and angel legend.  It doesn’t feature badass angels wreaking havoc or fighting an epic battle of good versus evil, and it’s not about a teenage girl drawn into the tortured, sexy world of angel boys.  And even though my story touches on the familiar themes of transcending adversity through faith, mercy and divine intervention, it’s not going to get the Pope’s seal of approval.  In fact, I’d be madly delighted if the Pope condemned it as the most heretical piece of literature since Martin Luther’s Ninety-Five Theses.

I guess I’m just worried that by the time I finish my book (3 months off by my most optimistic calculation), agents and publishers will have declared the angel trend come and gone.  The anxiety pushes me along.  Maybe I’ll get the final 50 pages done by April.