Read an excerpt from The City of Seven Gods

Here’s an exclusive look between the covers of The City of Seven Gods.

Allright, it’s not exclusive if you consider that Amazon allows you to ‘look inside’ to view the first few pages. But you won’t get my scene set-up and image fandanglery over at Amazon. Here we go.

I chose a passage from early in the book, but it does need a word or two to orient you. The main character here is Kelemun, a nineteen-year-old priest of Aknon whose vows require that he reserve his body for the veneration of the god, with the insidious exception that young priests are trained to provide “blessings of the flesh” to the wealthiest of pilgrims.

Kelemun is being pursued by Praxtor, the son of Omani (a cherished title for Caliph), and Praxtor had just burst into the temple to try to free Kelemun, which was a sacrilege and a scandal. This passage is a flashback in which Kelemun admits he played a part in that disaster.

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Praxtor was the most foolish of men. Kelemun should have recognized that the first time they had met. He should have foreseen the danger and steered himself around it. If he had been more careful, the situation would never have come to this.

It had started the past springtide, the month of Aknon’vell, which was the highest holy season for the priesthood. The rains of winter had passed, and it was the time, by Qabbat’s grace, for the earth to be reborn. The coryphei priests, who called the people to prayer, descended to the city to festoon the streets with fronds of the doam. Omani commissioned street fairs, chariot games, and many spectacles of music and dance in the city pavilions.

kouros sculpture

Ancient Greek kouros sculpture, a prototype for the kouros priest of Temple Aknon

But everyone looked forward the most to the Procession of the Kouri. It was the only time the sacred keepers of Aknon’s house ventured among the people. That year’s procession had engendered a great deal of hysteria since a new high priest, Aknon-Horheb, presided over the festival. He was said to have tall ambitions. The senior priests examined the boys to sort out flaws in posture, composition, and complexion. The sidelines of the parade boulevard would be filled to bursting with people vying to catch a glimpse of the handsome youths and to toss racemes of hyacinth at their feet. Only the most beautiful earned a foremost place in the procession. For Aknon-Horheb, a good showing foretold good profits at the Ward of Prayers.

Kelemun had devoted his body and soul to glorify the god, but he had not been without a warm glow of pride when Aknon-Horheb had announced that he would lead the body of kouri, a delegation of ten score of his peers. He had been named exemplar for the festival and would wear the sacred braided plait, woven to the back of his hair and fanning to his shoulders like a regal bonnet, the embodiment of Aknon, the Prince of Gods.

The day began with bearing blessings to Omani at his audience hall in the palace. Kelemun was to bestow the priesthood’s gifts to the throne. He stepped forward from the delegation of youths and walked to the royal estrade where Omani Neiron, sovereign lord of the city, was bedecked in a blued turban of the finest Qabbati dye. An egg-sized amethyst hung on his forehead, and he sat on his high-backed throne, which was ornamented with flashing orichalcum. His Wazirs, Grandees, and military captains sat behind him like fancy figurines.

Kelemun knelt before the throne and kissed the ground between his hands. He laid a wreath of sapling boughs that held a bounty of navel stones crafted from exquisite gypsum, azurite, and serpentine. Kelemun spoke the cherishing oath. Omani raised his right palm to say the gifts were acceptable to him.

Sultan from The Arabian Nights

An illustration from The Arabian Nights, a source of inspiration for the royal court of Omani Neiron

That should have been all. Omani Neiron was a good diplomat to every one of his city’s cults, but he was not known to be partial to Aknon, nor the beauty of men. A young man rustled up from the carpeted estrade just as Kelemun stood to return to his place with the kouri.

“Halt there,” the man called.

This brought out a murmur of amusement from Omani’s court. A blush blazed across Kelemun‘s face for being the cause of it, and he prayed it did not show while he stood with his head bowed in submission. He had been taught the dignitary rites and manners and rehearsed them in front of the elder priests. But he was shamefully at a loss over how to handle this interruption of the ceremony. Had he done something improper?

Kelemun’s curiosity betrayed him, and he stole a glance at the young man drawing near. He wore the blued turban of royalty, and his face shone as radiant and arresting as the waxing moon. He had a trim moustache and beard and warm, sparkling, chestnut-colored eyes. A regal balm of magnolia oil surrounded him. Kelemun guessed the man was around the same age as himself, though in his long-sleeved, jeweled coat with a splendid sickle-sword holstered at his waist, he stood a staggering height above a kouros priest. Of course, the man was Praxtor though Kelemun knew very little about Omani’s family at the time.

Kelemun looked upon the man with exceeding wonder. He smiled, and Kelemun found himself responding with a grin. The great hall was silent. Praxtor called over a court attendant who bore an ornate chest fashioned from juniper wood. The chest contained tribute that was to be presented to Aknon-Horheb.

Praxtor bade the man to open the chest. A glittering trove of sapphire, emerald, and ruby doubluns swum in Kelemun’s vision. He glimpsed ornamental gifts as well. Praxtor selected one of them and returned his attention to Kelemun. He held a tulip forged from solid orichalcum. The graceful flowers were cultivated in the Pyrrhean countryside, far north of the River Goran valley, and they were prized the world over for their beauty. The gilded tulip seemed to hover in Kelemun’s sight. Such a beautiful thing could not possibly have been crafted by a mortal hand. It was meant for the gods themselves.

“What is your name?” Praxtor said.

“Kelemun, Your Grace.” By the god’s mercy, he remembered to bow from the waist and remain there.

Praxtor gestured for him to stand erect and show himself. “Kelemun,” Praxtor repeated. Every syllable from his lips fascinated Kelemun. Ensorcelled by their meeting, Kelemun felt as though the many people in the hall had disappeared.

4264447-golden-tulip-flower-isolated-on-whitePraxtor held out the golden tulip. “For you, Kelemun. In tribute to the most handsome man in all of Qabbat’lee.” He turned to the court and raised his voice. “The most handsome man in all of the emperor’s lands.”

Kelemun reached to take the flower. What else was he to do? In the exchange, he brushed his knuckles against Praxtor’s for an instant. That was bold and scandalous, but Kelemun did not know himself at the time.

Praxtor spoke to him quietly, “I should like to see you again.”

Behind them, Aknon-Horheb cleared his throat and spoke, breaking the enchantment.

“Our Lord is grateful for your generosity.”

With that, Kelemun retreated to the body of kouri. The elder priests ushered the group from the hall.

RELEASE DAY! The City of Seven Gods

You may have noticed I’ve been quite busy here. I’ve been talking up the Kindle Exclusive release of Poseidon and Cleito from EDGE Science Fiction and Fantasy, and now I’m switching gears to let you know about another title, just released today at retailers worldwide by Bold Strokes Books.

thecityofsevengods_poster-postcardHow about that? It’s a big month for me, and I’m doing my best to keep up with it!

I wrote The City of Seven Gods as somewhat of an adult companion piece to The Seventh Pleiade and Banished Sons of Poseidon. The setting is similarly ancient world, though the sources of inspiration roamed a bit farther, and farther back in history, to Egypt, Mesopotamia, and Africa.

The story is also a departure from the Atlantis legend, which may come as a surprise (yes, I do write about other things besides Atlantis from time to time). I was inspired by the grandness and religiosity of the great cities of the ancient world like Ur and Babylon and Alexandria, and I wanted to expore what life may have been like during a time of nascent, cosmopolitan living, lavish religious iconography, and huge divisions between the rich and poor. The story follows two men of minor status finding their way through that world.

Here’s the back cover blurb:

Kelemun was bought from his peasant parents to tend the inner sanctum of the house of Aknon, where wealthy men pay mountain sapphires to behold the beautiful servants of the god. Chosen to bring offerings to Caliph, Kelemun captures the fascination of the young prince Praxtor who has never been denied anything his heart desires.

Ja’bar was hired to roughhouse wayward proselytes for the high priest Aknon-Horheb. In Qabbat’lee, it’s good paying work for a Stripeling, a jungle savage in the eyes of the city natives, and if he’s stingy and stays out of trouble, it will buy him a plot of river land.

But the splendor of Qabbat’lee is a mirage disguising a grotesquerie of corruption. When Kelemun and Ja’bar’s threads of fate entwine on a night of chilling betrayal, their only hope for redemption and survival may lie in one another.

The City of Seven Gods kicks off a new series called The Lost Histories, which will chronicle the lives of an ancient people in a world where men are bought and sold, religious cults vie for wealth and power, and civilizations clash. I’m presently tucking into the manuscript for Book 2. All this month look for giveaways and inside-the-story features here and at blogs like Queer Sci Fi and The Novel Approach. And, if you want to pick up the book right away, I posted the handy buy links below. When you buy at the publisher’s webstore, you can bundle your purchase for extra savings.

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Download “Mike’s Pond” for Free at Smashwords

Mike's Pond Cover Art

A few of my short stories are out of print, and I decided to publish them for free on Smashwords.

The first one up is a fictionalized memoir “Mike’s Pond,” which first appeared in the quarterly e-zine Wilde Oats. This was one of my earliest publications from back in 2011.

The story is special to me for a few reasons. I wrote it as an experiment for a critique group in which I was participating at the time. A couple of us were writing fantasy. Most were writing contemporary, literary pieces. Just for a fun challenge, we decided to all take a crack at writing horror.

My mind had drifted back to what had scared me as a kid. I grew up with an older brother so the source material was vast. We lived in a quiet, suburban town outside of the city of Buffalo. During the summer break from school, the thing to do was charting out the wooded pockets of land surrounding our tidily developed neighborhood. That was fine during the day, but there were stories of terrible things that had happened in those wild, abandoned places at night.

Mike’s Pond was the best-known legend. When my piece was published in Wilde Oats, I was happily surprised to hear from readers back in Amherst, New York who told me the story was alive and well. The one square-acre or so site had been idle for decades. But just recently, it was sold to a hotel developer, and it will soon be no more. Local residents, organized under the banner: Friend’s of Mike’s Pond, have tried to oppose the razing of the forested wetland, which is a vital ecosystem for wildlife. Sadly, it appears that they are losing the battle.

As a kid growing up in the 1980s, Mike’s Pond was both a playground and a cautionary tale. It seems that everyone in that neighborhood has heard the story that some young man named Mike drowned there, but no one can reliably say who Mike was, why he drowned, and when his death happened.

Those curiosities inspired my “horror story,” but it gradually turned into more of a coming-of-age piece. It became about my struggles proving myself to my older brother, wanting to be a “normal” boy, and confronting the frightening reality that I was not “normal” by the conventional standards of the time. Of course, those conventional standards were the only standards I knew as a twelve-year-old.

If you like the story, you might just give it a rating and/or review on Smashwords. Of course, you can do that if you don’t like it too. This was my first foray into Smashwords publishing, and I spent many hours working on the formatting, but I’m aware it’s not perfect. New respect for self-published authors!

 

My Birthday Month Promotion: A Free Read and a Werecat Giveaway

Many thanks to all who entered the drawing. I chose a winner through random.org early this AM. It’s Mary! I have sent you an e-mail with instructions for claiming your prize.

August is my birthday month, and to celebrate I’m running a giveaway on my blog.

Drop a comment below with your e-mail address, and I will select a winner using random.com on my birthday August 24th 12:00AM EST.

Here’s what you’ll be entering to win.

WerecatTheRearingCover

For Jacks Dowd, a college senior who feels ungrounded from his family and life in general, an alcohol and sex-infused weekend in Montréal sounds like a pretty good escape. His Spring Break binge takes a detour when he meets Benoit, an admiring drifter with startling green eyes. A hook-up turns into a day, two days, and then a full week in Benoit’s hostel, making love and scarfing down take-out food. But at the end of the week, Benoit demands that Jacks make an impossible choice: stay with him forever, or go back to college and never see him again.

 

There’s something dangerous about Benoit, but Jacks has fallen for him brutally. The night before Jacks is supposed to return to college, he finds Benoit in Mont Royal Park, where they first met, to try to work things out. Benoit springs on Jacks an unfathomable secret: he’s a mythical creature, half man and half jungle panther. He traps Jacks in an abandoned cabin and performs an occult rite so they will be mated forever.

I guess most people celebrate their birthday by getting gifts. For me, giving away my first published book feels like a great way to celebrate. There are no strings attached, unless you count the virtual bow that will be tied around your gift. If you’re so moved to rate the book and/or write a review on Amazon, GoodReads or Barnes & Noble, you’ll make this birthday boy extra happy.

Here’s an excerpt from the book to tell you a little more about Werecat: The Rearing. It’s the opening scene.

Coming in from the darkened street, Jacks was assaulted by the all-night bodega’s fluorescent lights. Ground-in dirt scored the dull tile floor. Boxed dry goods, probably stocked in another decade, lined grimy, metal shelves. The water-stained drop ceiling encroached in on him from the corners of his vision.

As he approached one of the glass refrigerator cabinets, his reflection glared back. Jacks had told himself he was working a grunge look, but he was crossing into vagrant territory. Thick, unwashed hair framed his scruffily bearded face. His black wool cap didn’t make him look hip and counterculture. It made him look destitute and dangerous. He wondered if he traveled in a cloud of body odor, like some comic strip character.

Jacks grabbed some things from the refrigerated section, headed to the canned food aisle and dropped an armful of groceries on the check-out counter.

Farzan, the cashier, smiled at him. He was a handsome Persian guy, probably around Jacks’ age. They had made small talk before. Farzan worked the overnight shift while he was going to medical school. His dad owned the shop. He had struck up conversation about American politics and American rock bands, and it turned out they liked a lot of the same music. The guy was cool, but Jacks just wanted to get in and out. He looked like a mess. Besides, he had to be getting back to Benoit.

Farzan’s dark, almond eyes narrowed at the sight of Jacks’ purchases: five packages of hot dogs, two cartons of milk, a graying plastic envelope of assorted cold cuts and a half dozen cans of Vienna sausages. His tan face flouted a woeful grimace.

“Stocking up on proteins again?”

“Yeah,” Jacks mumbled. He flashed a shy grin and dug into his jeans’ pocket for cash. Farzan took his time scanning the items at his old, computerized register. He was probably bored and starved for company. The crooked Bud Lite clock on the wall behind the register showed three-fifteen in the morning.

“This is no good,” Farzan said. “You need a complex diet or you will develop a vitamin deficiency. Did you know that overconsumption of animal products has been linked to cancer?”

“You sound like a doctor already.”

“It is also a myth that a diet rich in meat will lead to muscle development.”

“I buy other stuff at the market down the street.” Jacks’ eyebrow twitched, and his gaze skimmed his feet.

“I can’t sell you this.” Farzan waved the cold cuts at Jacks. “It’s past its expiration date.” The package flew into the garbage can behind the counter with a thud.

“I’ll get another one.” Jacks headed over to the refrigerated shelves.

“Don’t bother. They’re all the same. We only restock on Tuesdays.”

Jacks stopped in his tracks and walked back to the register. He realized he had left a crumpled wad of bills and all his loose change on the counter. Luckily, the place was as dead as a morgue. Not many people were out at delis at three in the morning this far uptown.

Farzan was looking around for something behind the counter. When he turned back to Jacks, he had a plastic tub of rice in his hand.

“This is Adas Polo. Basmati rice with lentils and raisins. Very healthy.”

Jacks nodded, though he had no idea why Farzan was showing him the stuff.

“I will give you some.” Farzan brought out a large size Styrofoam coffee cup and shoveled the rice into it with a plastic spoon.

“No, you don’t have to do that.”

Farzan didn’t seem to hear him. He closed up the cup with a white lid and handed it to Jacks.

“Thanks,” Jacks said. He gathered up his money. “What do I owe you?”

“For the Adas Polo, no charge. For the rest, thirty-four dollars and eighty-nine cents.”

Jacks fished out a twenty and two tens from the bundle in his hand.

“When are you going to give me the download of the Death Cab for Cutie album?”

Jacks’ insides sank. He had been meaning to bring Farzan his memory stick of music downloads. “Sorry, I keep forgetting.”

“That’s OK. I know you will be back.”

He took Jacks’ money and gave him his change and his bagged groceries.

Good luck!

My On-Line Interview – The Next Big Thing Project

Here’s the skinny, my “next big thing,” as prompted by author John Copenhaver last week:

What is the title of the book?

Werecat: The Rearing

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Where did the idea come from for the book?

It started as an experimental piece. I got turned on to shapeshifter and vampire stories only recently, and, as with most everything I read, those stories made me think: how could I write a great story in that vein from a totally queer point-of-view? Not just with gay or lesbian sidekick characters – I wanted to create a gritty, sexy love story between two men that was central to the plot, and really central to a fantasy world. I’m also fascinated by cats, so writing the fantasy aspect came pretty naturally to me.

What genre does your book fall under?

Urban fantasy

What actors would you choose to play the part of your characters in a movie rendition?

I actually blogged about that subject before my book got picked up by a publisher. What writer doesn’t daydream about casting her/his work? For Werecat, it’s extra fun because I think feline shapeshifters would have to be sexy and dark. I imagine an underground world populated  by hot, scruffy men, high-shouldered and lean, sort of a throw-back to the grunge or heroin-chic model trend of the 90’s. They would have to have great eyes too.

My main character Jacks is a lost, rebellious college drop-out, and I’d be delighted to cast François Arnaud from the Showtime series The Borgias in that role. Jacks’ love interest Benoit would have to be smoking hot with a dangerous vibe. My first pick is Michael Fassbender. Then there’s a supporting character Farzan who may or may not get in between Jacks and Benoit. Farzan is tightly-wound and kind of goofy. He makes me think of Kal Penn from Howard and Kumar.

What is the one sentence synopsis of your book?

Werecat: The Rearing is about a young man who goes to Montréal for Spring Break, gets picked up by a handsome drifter, and ends up on a terrifying and erotic journey into the world of feline shapeshifters.

How long did it take you to write the first draft of the manuscript?

Werecat: The Rearing is the first book in a series of novellas, which are 20-40K words apiece. I wrote the first draft in about three weeks.

Who or what inspired you to write this book?

Allison Moon’s lesbian werewolf novel Lunatic Fringe was a major departure point. Beyond her excellent re-imagining of werewolf mythology, her book made me think about the similarities between the shapeshifter trope and the experience of being queer, both in obvious ways like having to hide and being misunderstood, and in ways that are important to me politically and spiritually.

I think there’s something liberating about being able to inhabit two worlds. Queer people learn how to fit in, and sometimes pass within a heterosexual world, and we also cross “genders” at least in our private lives if not publicly. The Native American idea of two-spirit intrigues me – possessing both a female and a male aspect – and I could go on about that subject extensively. Suffice it to say, when I started writing about gay, feline shapeshifters, I found opportunities to explore the different facets of having a dual nature — socially, sexually, and politically.

I also worked a good bit of cat mythology – ancient world and native – into the story. Retold myth and legend is a fairly steady thread in everything I write.

Is your book out in print, upcoming from a publisher and/or represented by an agency?

NewVPBlogo72dpiWerecat: The Rearing will be published by Vagabondage Press and is upcoming in May.

Authors I am tagging next for The Next Big Thing Project:

Lydia Sharp – YA contemporary, fantasy, and romance author and blogger extraordinaire

Charlie Vazquez – Avant-garde author, poet, and master-of-ceremonies for New York City’s underground literati

Christopher Keelty – Fantasy/sci-fi author and civil rights activist

C.A. Clemmings – Author of literary novels and short fiction