The Next Big Thing: C.A. Clemmings

I’m posting the on-line interview from my final Next Big Thing taggee.

I met C.A. Clemmings at Absolute Write about two years ago, and our exchange about the challenges faced by LGBT writers turned into a long-term camaraderie. We frequently critique each other’s work and provide encouragement for our respective writing journeys.

Meet literary fictionista C.A. Clemmings!

Writer C.A. Clemmings

 

What is the title of the book?

I have a novella and a short story currently in progress. The title of my novella is Rebirth, and the title of my short story is “Placencia.”

Where did the idea come from for the book?

For Rebirth I drew inspiration from Bad Girls, the TV series about women in prison. Since my ideas originate with character, however, I wanted to write about a woman who comes out of that kind of environment and to examine how she rediscovers and redefines herself in society.

“Placencia” was supposed to be a fun, easy project. It was an attempt to take a “vacation” from the extensive work that goes into longer projects. Turns out it takes just as much effort for me to produce a short story.

What genre does your book fall under?

Literary Fiction 

What actors would you choose to play the part of your characters in a movie rendition? 

I had not given much thought to this, and when I did, I found it difficult to select the right actresses who could embody my characters. I think I will leave up to readers to shape the characters with their own imagination.

What is the one sentence synopsis of your book?

Rebirth is about Nicolette, a young ex-convict who goes to live on ranch that once belonged to her deceased parents, and ends up acquiring a racehorse and an attractive female jockey who convinces her to get into the horseracing business, which inadvertently unearths Nicolette’s parents’ shady past.

“Placencia” is a about a woman who, while on her way to meet her girlfriend for their vacation together in Honduras gets thrown off-course and ends up in Placencia, Belize, where she is tempted by an alluring woman and encounters a fisherman who is a haunting reminder of the father she’s never met.

How long did it take you to write the first draft of the manuscript?

The first drafts of both Rebirth and “Placencia” were completed in a few months, however the process of transforming them into their current versions took considerably longer.

Who or what inspired you to write this book?

In general, I am inspired to tell stories about ordinary people with an enigmatic quality. For Rebirth, I was inspired to write about a woman who had lost nearly everything and had been stripped down to her “flinching muscles.” I wanted to rebuild her and bring color back to her life.

“Placencia” was born out of the idea of taking a vacation away from the things that we obsess over in our daily lives such as work, relationships, and our families. However, interestingly enough for my main character Elodie, Placencia becomes the place where she finds herself confronted by the things that burden and haunt her: the tremendous fog of failure and the potential for failure that seems to envelope her, and the unresolved issues that stem from not being given an opportunity to know her father. The impact of this is depicted in Elodie’s aimless spirit. I enjoyed writing Placencia because it allowed me to explore this flawed and self-absorbed woman, who at the end of the day is good-hearted and makes the right decisions.

Is your book out in print, upcoming from a publisher and/or represented by an agency?

Rebirth and “Placencia” will be self-published in the spring.

For more about Clemmings and her projects, visit her website.

Hop Against Homophobia and Transphobia!

Hop Against Homophobia and TransphobiaI will be participating in this event, which was launched last year by M/M authors in honor of the International Day Against Homophobia and Transphobia.

The goal is to fight prejudice and discrimination everywhere, including in the literary community. Here is the mission statement from HAHAT’s website:

The mission of Hop Against Homophobia and Transphobia is to spread awareness of homophobic and transphobic discrimination by expressing ourselves and get readers from within our own genres involved. Furthermore, we are here to stand together as an LGBTQ writer community against discrimination of our books.

Authors, publishers and reviewers of LGBT, M/M and F/F literature can participate by promoting the event on their blogs. For more information, check out the official website: Hop Against Homophobia and Transphobia.

Jaguars!!

Cats are a source of inspiration for my writing. The jaguar in particular plays a major role in my upcoming Werecat: The Rearing.

Thus, I couldn’t resist some recent news and pics.

Jaguar cub

Photo retrieved from Zooborns.com and courtesy of Brevard, FL Zoo

This jaguar cub was born on January 26th, and is pretty damn adorable. All jaguars are born with spots and blue eyes. Even those that grow up to be “black”  retain spots on their undercoat that can be seen in certain lighting. As jaguars mature, their eyes may become coppery brown, orange, yellow or green. You can read the full article on Brevard’s jaguar cub here.

Jaguars are the only New World cat that roars. In terms of ancestry, they have more in common with Old World cats like African leopards and lions than the American cougar or ocelot.

Their habitat in the South American rain forest has been greatly reduced by deforestation, and the jaguar is considered an endangered species.

Here’s a short video from international news group AFP about jaguar conservation in Brazil.

Embedly Powered

I tried to find video of the short news segment I recently saw with footage of a trap, collar and release of a 210 pound jaguar named Xango. It doesn’t appear to be on YouTube. If anyone has a link, please share it with me.

Here’s an article about the operation from Agence France Press: “Mission to save jaguar exposes big cat’s plight in Brazil.”

The Next Big Thing Interview: Charlie Vazquez

Here comes the third author I tagged: poet, author and literary man-about-town Charlie Vazquez…

Poet and author Charlie Vazque

What is the working title of your book?

Hustler Rave XXX: Poetry of the Eternal Survivor is the full title. David came up withHustler Rave, and I added the XXX and the rest of it as a kind of nod to sleazy old Times Square movie theaters and such. I miss places like that. Without realizing it this book wound up becoming things other than just a collection of erotic poems—in David’s case a riveting testimonial based on his days as a sex worker working to pay for college, and for me an exposé of the gay sex underground I discovered as a young man and continued to explore for another fifteen or so years.

Despite the fact that we now have institutions like “gay marriage” and greater “acceptance” in New York, honest and visceral discussions of gay sex and pornography still disturb lots of people in the mainstream, yet LGBT folks are bombarded daily, by the hour, by heterosexual sexual expression. People are still much more conservative than they want to admit. As a working-class New Yorker it was time to put something out there that captured the grit that once made New York so exciting and fertile for the arts. Our city has turned into a destination for rich zombies, and they are the least interested—or interesting.

Where did the idea come from for the book?

I thought it would be fun to collaborate and David came up with the theme. This was last summer and much has happened since, so I hope I didn’t get this wrong. Regardless, David and I both write in English and Spanish, so the book started as a bilingual collection. But David decided that the English pieces had a better flow, so we dropped the few Spanish pieces we had at the time. As he used to actually hustle, I gave him a lot of freedom to sequence the pieces, etc.

As for me, I used to know lots of hustlers and junkies and had a knack for hanging out in sleazy places, gay bars, punk joints, strip clubs. I’ve always had a fondness for dubious places, because the people who generally inhabit them are honest about why they are there. I know that the concept for this book made some people shudder, but I’ve always admired honesty no matter how disturbing. Shoot me: I was raised in the Bronx in the 1970s/1980s. I like grit.

Hustler Rave XXX Cover

What genre does your book fall under?

Poetry. Noir. Hot. Sleazy poetry, pretty poetry—tragic, sordid, ecstatic. Erotic poetry.

Which actors would you choose to play your characters in a movie rendition?

Well, it would be a large cast as there are nearly 50 poems that take place all over the world and feature a myriad of characters from various nationalities, races, etc. Being that I’m almost 42, I’d want James Franco to play me when I was a bolder 25-year-old with a knack for being naked—a lot.

What is the one-sentence synopsis of your book?

An intimate and poetic investigation of the young men of night and the men who pay them for their beauty.

Will your book be self-published or represented by an agency?

The wonderful Lethe Press published it. Back in 2011 the amazing Charles Rice-González brought me on board to co-edit the anthology From Macho to Mariposa: New Gay Latino Fiction, so this is, in many ways, a continuation of that relationship. David also had a story in that book…small world, eh?

How long did it take you to write the first draft of your manuscript?

David and I started piecing it together back in August of 2012, that is, while working around other projects. He was finishing his sex memoir (Diario de una puta humilde) and I was starting my first stage play and was studying and reading a lot. I decided to take a short break from fiction, to recharge after trying to resurrect my hopeless first novel, so this little detour was the perfect opportunity to invent new dramas. I would say we kept developing the poems for a solid six months or so. Adding, axing, cutting, disintegrating, rearranging.

What other books would you compare this story to within your genre?

I’m not sure. Though while I was working on the book it was hard not to think about people like Jean Genet, David Wojnarowicz, Reinaldo Arenas, John Rechy, etc. I make references in the author introductions to My Own Private Idaho and the bookQueer Latino Testimonio: Keith Haring and Juanito Xtravaganza by the Puerto Rican scholar Arnaldo Cruz-Malavé, which if you haven’t read is terrific. Some people might find parallels to Emanuel Xavier’s earlier work, which I’ve always loved. But something David and I strove for was to populate the pages with multiple voices. We even break from the hustlers on occasion to give a few of the “johns” voices. Some of the poems are written in lacy, worldly language, and others bark in street slang. We wanted to cover a range of colors and language.

Who or what inspired you to write this book?

David and I had been proofing and translating one another’s work and it just seemed like a fun idea. Perhaps his mentioning the title of his sex memoir sparked a fire—for him I think it was to get certain memories off his chest and to focus on writing in English. For me it was about revisiting old ghosts and dressing them in new clothes, so to speak. I work for the dead.

What else about your book might pique the reader’s interest?

Aside from the juicy subject matter—that is, as we revisit yet another Age of Conservatism—I would say the use of language and voice and locations. Hustler Rave XXX tells the stories of Latino rough trade Castro Street boys to struggling San Juan college students to runaway white boy junkies in Seattle. Even if we’ve fictionalized them, someone needs to give them a human voice. Hustlers often come from very troubled backgrounds to begin with. They’re people, too—no matter how we might feel about their ways of surviving. I can assure you that some of their worst critics might be guilty of much more heinous things.

Hustler Rave XXX is available at the following Barnes and Noble URL:

http://www.barnesandnoble.com/w/hustler-rave-xxx-david-caleb-acevedo/1114638446

Oz The Great and Powerful

standard_oz

Image courtesy of Disney.com

I went through several stages in anticipation of Disney’s “Oz The Great and Powerful.”

First, I felt resentful. If Hollywood was going to produce a big-budget epic on the subject of Oz, how could they overlook the material from Gregory Maguire’s Wicked series? No, I committed to myself. I was not going to shell out my money to support that unforgiveable betrayal.

Then, through a combination of my partner’s enthusiasm and the ubiquitous movie trailers, my curiosity was piqued. They came up with a compelling cast. I thought: could a movie really be bad with James Franco, Michelle Williams and Rachel Weisz? It looked like fun. And really, maybe the film world is big enough for more than one new story about the legend of Oz.

But next, I read the New York Times review. Wow. I haven’t read such a lambasting in quite awhile. I was back to the stage of writing off this new rendition of The Wizard of Oz as a highly likely disappointment. Here’s a little excerpt from film critic Manohla Dargis:

Can the major studios still make magic? From the looks of “Oz the Great and Powerful,” a dispiriting, infuriating jumble of big money, small ideas and ugly visuals, the answer seems to be no.

Ultimately, I decided to judge for myself. I went to see the movie with my honey-bunny and a friend just this afternoon.

The one sentence synopsis: “Oz The Great and Powerful” is about a charlatan magician Oz (James Franco) who learns how to change his shifty ways when he’s transported to a fantasy world, and he’s the one person who can serve up justice for a people terrorized  by a wicked witch.

So what can I say? The kids in the audience liked it (and there were plenty of them). But as a cross-over movie for adults, “Oz The Great and Powerful” fell flat for me. There wasn’t much to hold my interest in the story. Meanwhile, the one-dimensional characters and cutesy devices (a rescued porcelain doll) worked against that interest, in an eye-rolling and cringing way.

It’s unfortunate because I think kids’ films can work for adults, through delightful imagination (the Harry Potter series) and/or an interesting subtext (The Golden Compass). “Oz The Great and Powerful” has a little bit of the former, but mostly it felt to me like an unsuccessful mash-up of vintage and modern fantasy sensibilities. On the latter score, you could find a more intriguing subtext in a pre-school picture book. Good is good. Evil is evil. And according to Sam Raini’s Oz, only men have the psychological complexity to waffle a bit in between the two.