The Jaguar of the Backward Glance

Chavin stirrup-spouted jar

Chavin stirrup-spouted jar from the Walters Art Museum in Baltimore. Image retrieved from Ancient History Encyclopedia http://www.ancient.eu/Chavin_Civilization/

I discovered this intriguing bit of werecat mythology while doing research for the forthcoming, final installment of my Werecat series: The Sim Ru Prophecy. In Chavin culture, a pre-Incan civilization that resided in the region of modern day Peru, potters made clay jars shaped like seated, curled cats. Like ancient Amerindian artwork elsewhere, the cat’s head is exaggerated, almost cartoonish, but the rosette spots are suggestive of the jaguar, which thrived in the region at the time.

According to archeologist Alana Cordy-Collins, a scholar of Peruvian pre-history, these unique jars are also an artifact of an ancient folk belief in human-feline hybrid creatures. In her essay titled: “The jaguar of the backward glance,” published in Nicolas Saunders’ Icons of Power: Feline Symbolism in the Americas, Cordy-Collins states that the jars represent shaman who possess dual souls and have the ability to take the form of jaguars. To the Chavin, a jaguar who is spotted looking over its shoulder is not a big cat but rather a shape-shifting shaman. They preserved that magical secret on their decorative wares.

When I read about that, I was reminded of the anthropomorphic world of Gregory Maguire’s Wicked saga.

“Are you a cat? Or a Cat?”

Jinns by the Ottoman Artist Mehmet Siyah Kalem

Jinns by the Ottoman Artist Mehmet Siyah Kalem, retrieved from Islam and Science Fiction http://www.islamscifi.com/jinns-in-islamic-art/

Werecat mythology is not so common in European cultures (to the benefit of werewolves), but there are imaginative werecat storytelling traditions pretty much everywhere else where cats can be found in the world. For example, in the Middle East, there’s the wonderful folk belief in the jinn, which can take the form of the cat, as well as other animals.

If you have dug into my Werecat series, you know that I took a lot of inspiration from ancient Mesoamerican beliefs and most especially the Olmecs. A lot about the Olmecs remains ‘unpacked,’ which makes their history and religion fertile ground for a fantasy author. Archeologists have yet to even understand their language. But their stone monuments, sculptures and glyphs include representations of human/feline hybrids, which has led to the theory that they worshipped a werejaguar god.

That was plenty enough for me as a departure point for creating the mythology behind Werecat. The main character Jacks learns that werecat ‘rearing’ originated from an Olmec king who sacrificed a jaguar cub at the altar of a feline god and then plunged the sacrificial blade into his own heart. The feline god was pleased and allowed the king to return to the material world as a hybrid creature with the power to shift from man to cat.

In the saga’s final installment: The Sim Ru Prophecy, Jacks must decode an ancient codex called The Bastet in order to appeal to an aboriginal feline deity before the codex’s secrets fall into the hands of werecat insurgents, or equally disastrously, humans, who would eliminate Jacks’ kind completely.

As a promotion for the release, you can get started on the series for free. Just sign up for my mailing list at the top of my sidebar, and I’ll send you a copy of The Rearing (Werecat, Book 1).

 

Read an excerpt from The City of Seven Gods

Here’s an exclusive look between the covers of The City of Seven Gods.

Allright, it’s not exclusive if you consider that Amazon allows you to ‘look inside’ to view the first few pages. But you won’t get my scene set-up and image fandanglery over at Amazon. Here we go.

I chose a passage from early in the book, but it does need a word or two to orient you. The main character here is Kelemun, a nineteen-year-old priest of Aknon whose vows require that he reserve his body for the veneration of the god, with the insidious exception that young priests are trained to provide “blessings of the flesh” to the wealthiest of pilgrims.

Kelemun is being pursued by Praxtor, the son of Omani (a cherished title for Caliph), and Praxtor had just burst into the temple to try to free Kelemun, which was a sacrilege and a scandal. This passage is a flashback in which Kelemun admits he played a part in that disaster.

~

Praxtor was the most foolish of men. Kelemun should have recognized that the first time they had met. He should have foreseen the danger and steered himself around it. If he had been more careful, the situation would never have come to this.

It had started the past springtide, the month of Aknon’vell, which was the highest holy season for the priesthood. The rains of winter had passed, and it was the time, by Qabbat’s grace, for the earth to be reborn. The coryphei priests, who called the people to prayer, descended to the city to festoon the streets with fronds of the doam. Omani commissioned street fairs, chariot games, and many spectacles of music and dance in the city pavilions.

kouros sculpture

Ancient Greek kouros sculpture, a prototype for the kouros priest of Temple Aknon

But everyone looked forward the most to the Procession of the Kouri. It was the only time the sacred keepers of Aknon’s house ventured among the people. That year’s procession had engendered a great deal of hysteria since a new high priest, Aknon-Horheb, presided over the festival. He was said to have tall ambitions. The senior priests examined the boys to sort out flaws in posture, composition, and complexion. The sidelines of the parade boulevard would be filled to bursting with people vying to catch a glimpse of the handsome youths and to toss racemes of hyacinth at their feet. Only the most beautiful earned a foremost place in the procession. For Aknon-Horheb, a good showing foretold good profits at the Ward of Prayers.

Kelemun had devoted his body and soul to glorify the god, but he had not been without a warm glow of pride when Aknon-Horheb had announced that he would lead the body of kouri, a delegation of ten score of his peers. He had been named exemplar for the festival and would wear the sacred braided plait, woven to the back of his hair and fanning to his shoulders like a regal bonnet, the embodiment of Aknon, the Prince of Gods.

The day began with bearing blessings to Omani at his audience hall in the palace. Kelemun was to bestow the priesthood’s gifts to the throne. He stepped forward from the delegation of youths and walked to the royal estrade where Omani Neiron, sovereign lord of the city, was bedecked in a blued turban of the finest Qabbati dye. An egg-sized amethyst hung on his forehead, and he sat on his high-backed throne, which was ornamented with flashing orichalcum. His Wazirs, Grandees, and military captains sat behind him like fancy figurines.

Kelemun knelt before the throne and kissed the ground between his hands. He laid a wreath of sapling boughs that held a bounty of navel stones crafted from exquisite gypsum, azurite, and serpentine. Kelemun spoke the cherishing oath. Omani raised his right palm to say the gifts were acceptable to him.

Sultan from The Arabian Nights

An illustration from The Arabian Nights, a source of inspiration for the royal court of Omani Neiron

That should have been all. Omani Neiron was a good diplomat to every one of his city’s cults, but he was not known to be partial to Aknon, nor the beauty of men. A young man rustled up from the carpeted estrade just as Kelemun stood to return to his place with the kouri.

“Halt there,” the man called.

This brought out a murmur of amusement from Omani’s court. A blush blazed across Kelemun‘s face for being the cause of it, and he prayed it did not show while he stood with his head bowed in submission. He had been taught the dignitary rites and manners and rehearsed them in front of the elder priests. But he was shamefully at a loss over how to handle this interruption of the ceremony. Had he done something improper?

Kelemun’s curiosity betrayed him, and he stole a glance at the young man drawing near. He wore the blued turban of royalty, and his face shone as radiant and arresting as the waxing moon. He had a trim moustache and beard and warm, sparkling, chestnut-colored eyes. A regal balm of magnolia oil surrounded him. Kelemun guessed the man was around the same age as himself, though in his long-sleeved, jeweled coat with a splendid sickle-sword holstered at his waist, he stood a staggering height above a kouros priest. Of course, the man was Praxtor though Kelemun knew very little about Omani’s family at the time.

Kelemun looked upon the man with exceeding wonder. He smiled, and Kelemun found himself responding with a grin. The great hall was silent. Praxtor called over a court attendant who bore an ornate chest fashioned from juniper wood. The chest contained tribute that was to be presented to Aknon-Horheb.

Praxtor bade the man to open the chest. A glittering trove of sapphire, emerald, and ruby doubluns swum in Kelemun’s vision. He glimpsed ornamental gifts as well. Praxtor selected one of them and returned his attention to Kelemun. He held a tulip forged from solid orichalcum. The graceful flowers were cultivated in the Pyrrhean countryside, far north of the River Goran valley, and they were prized the world over for their beauty. The gilded tulip seemed to hover in Kelemun’s sight. Such a beautiful thing could not possibly have been crafted by a mortal hand. It was meant for the gods themselves.

“What is your name?” Praxtor said.

“Kelemun, Your Grace.” By the god’s mercy, he remembered to bow from the waist and remain there.

Praxtor gestured for him to stand erect and show himself. “Kelemun,” Praxtor repeated. Every syllable from his lips fascinated Kelemun. Ensorcelled by their meeting, Kelemun felt as though the many people in the hall had disappeared.

4264447-golden-tulip-flower-isolated-on-whitePraxtor held out the golden tulip. “For you, Kelemun. In tribute to the most handsome man in all of Qabbat’lee.” He turned to the court and raised his voice. “The most handsome man in all of the emperor’s lands.”

Kelemun reached to take the flower. What else was he to do? In the exchange, he brushed his knuckles against Praxtor’s for an instant. That was bold and scandalous, but Kelemun did not know himself at the time.

Praxtor spoke to him quietly, “I should like to see you again.”

Behind them, Aknon-Horheb cleared his throat and spoke, breaking the enchantment.

“Our Lord is grateful for your generosity.”

With that, Kelemun retreated to the body of kouri. The elder priests ushered the group from the hall.

Exclusively for #PoseidonWeek: An excerpt from the story

It’s always tough for me to decide on excerpts to use for readings or sharing on social media. I actually prefer to have someone decide for me, since I’m probably too close to the story to evaluate what would make for an entertaining snippet for people unacquainted with the story.

Here I chose a tried and true strategy: the opening scene from the book. It doesn’t require any set up, and my hope with the opening was to set a mystical tone for the narrative through this encounter with the main character Donnogen and a steppe Witch.

I included some images from my Pinterest inspiration board. I hope you enjoy it!

~

Chapter One

The Witch’s hovel stood on a bald hilltop covered with snow. It had been a half day’s journey for the young hunter to find it, minding his grandmother’s instructions from seasons past.

“Find the spitting cavern on the bank of the sea. Climb the bank to the margins of the ancient woods and follow the trodden path to a glassy plain. There she will be, perched over the barren land, like a shepherdess to a ghostly flock.”

The sun hung low on the horizon, and the snowy field was no longer glassy. The towering trees at the border of the woods cast a lake of shadow that stretched toward the hill, soon to devour it in darkness. An infinite quiet surrounded the hunter. For a delicate moment, fear bit at him, and he halted, suspended in a void of silence while the claw of frost clutched his breath. He pushed on through the field.

It was time for him to know his name.

Hunter from the steppe

An illustration that I pinned from 3duegos.com, a prototype for the hunter Donnogen.

Climbing the hill was a trudge through frost-crusted dunes that buried him to the top of his deerskin leggings. There were no other tracks up the hill. Though it was deep into the season of freeze, the clouds had not shed their tears of snow for three suns.

The home was a wattle-roofed roundhouse that looked like a giant mushroom crowning its snowy mount. It was no more than a dozen strides across, and its cone cap was buckled and frayed from many seasons of freeze and thaw. Smoke rose up from its chimney, and the snow encircling the house had melted, forming a gutter. A gnarled stake of wood warded the entrance. A freshly-killed white fox had been impaled on the stake.

The hunter stopped at the threshold for a moment, remembering his amma. He shut his eyes and spoke silent words to reach his grandmother in the otherworld.

“My beard grows thick, Amma. I am a man, and I have come, as you told me. The clan taught me well. I can chase the spotted deer, clean its hide from its flesh, and make my own hatchets and spears. Watch over me. You are always in my heart.”

He pushed aside the heavy mats hanging in the doorway and stepped inside. The sudden heat was arresting, and the stench was choking. The Witch must have been boiling some kind of animal fat. Mammoth hides hung from the hut’s rafters, dividing the space into a puzzle of compartments. In good times, the mammoth hunter clans might have had one pelt they could afford to show off in such a way, and this woman had at least three that he could see! Good barter: men from all parts of the steppe must have traveled to her to ask for name-readings.

The Sea People

Pinned from artofmisc.tmblr.com, a prototype for the Sea People

That was trade from seasons past. There weren’t any clans of mammoth hunters left on the steppe. Not since the white-haired Sea People had alighted from their barges to ferry their antler-headed warriors and their strange machinery from their island kingdom. The raiders had brought war, enslavement, and a killing fever. They tore up the sedge with their stone-tipped harrows and drove the wooly titans from their grazing fields.

It was said the Sea People left the Witch alone, and the hunter had even heard they called on her for her prophecies and cures. How she managed to live by herself, so far from the steppe settlements, was strange to him.

The crackle of her fire filled the space, but he heard no other sound. An earthen pot rested at his foot. He took off the leather coin purse that hung around his neck, unlaced its cord, and turned it over. A dozen copper rings and tin coins tumbled and clanged into the pot.

His amma had never said how much to bring, but only once in a man’s life is he given his true name. It was the little bounty he had put away on his wanderings since his clan had scattered from the steppe. Picking over a few frozen travelers in the snow. Pocketing some spoils from the white-headed rangers he had fought off with his spear. The shiny trinkets were pretty trade, though a hunter made his way with what the land provided. He thought the currency might impress the Witch. They said she horded untold riches.

A voice stabbed at him from an unknown place. “Take off your boots.” He did not look for her, he just obeyed, taking off his mitts and unlacing his deerskin shoes and setting them aside. He stood, barefoot, and waited.

The phantom voice came again, so shrill it could shake the fur from a bear. “Leave your weapons. Take off anything with sleeves, legs, or pockets. You come and go with only what you brought.”

He looked around in disbelief. His spear and his hatchet were one thing. It was bad manners to enter someone’s house with weapons from the hunt. But following her orders would leave him in his thigh-length shift. It was threadbare and stained from many wearings.

The voice shrieked, “No time for modesty. I haven’t all night.”

He stripped down, leaving his pelt, his spear and hatchet, his woolen undercoat, and his leggings in a pile on the floor.

As soon as he had finished, the Witch called out. “Follow my voice. You can do that, can’t you? You’ve got more wits about you than you let on.”

A neolithic hut

A neolithic hut, pinned from naturalhomes.com

His body, which was broad and tall and built for the hunt, felt suddenly awkward in the enclosed space. He looked around, stepped to one side, and pulled back the flap of a hanging pelt. That revealed a miniature anteroom of sorts. He ducked his head beneath a bowed and rotting rafter and ventured into that space. Another fur-draped divider hung at one side, under which fiery light flickered. He headed for it, found one edge of the fur draping, and parted it to step through.

~

It’s #PoseidonWeek so if you comment/share below, you’ll be entered into a raffle for Poseidon swag provided by Zazzle. You can also enter the contest all this week (through Thursday, September 1st) at my Facebook page.

Visual inspiration for Poseidon & Cleito

I started keeping inspiration boards for my writing the old fashioned way: cutting out pictures from magazines and gluing them to a sheet of oak tag. That old fashioned method had some advantages. It was nice having something to put up in my office where I write, and it was fun taking the time to snip out images that I liked and to place them on the board. But the variety of pictures was limited, especially since my writing takes inspiration from ancient settings. It also could be time consuming, and I knew at some point I would run out of wall space.

So, about six months ago, I converted to Pinterest for my boards. It actually could be just as time consuming. There’s almost an infinite number and variety of images to search through, not that narrowing down that search isn’t easy, but once you get started, it can be hard to stop. Still, overall, it’s much more efficient for me and gives me tons of ancient world and fantasy material to choose from.

For my Poseidon and Cleito board, I was interested in having some images that were evocative of the characters as well as some that reflected costume, setting and mythology. I shared on my board that Maria Sharapova was a modern day inspiration for Cleito, both physically and in terms of her relentless, impassive persona. That may not be fair to Maria. She’s probably a sweetheart off of the tennis court and would never consider murdering her family for wealth and power. 🙂

I think I found the perfect model for the character of Bromios, modeled on the god Dionysius. The one character-model that was evasive in my research was Poseidon himself. I think my publisher did a great job with the cover artwork in depicting him. My challenge was settling on an image of a guy who was hardy, noble, and not conventionally attractive. Male models abound on Pinterest, but they’re too pretty.

People ask me: who would play Poseidon if your book was turned into a movie, and I haven’t come up with any dream choices. There are a lot of excellent, rugged-looking actors (Tom Hardy, Viggo Mortensen), but Poseidon is nineteen, maybe twenty years old in the story, so it would have to be a younger actor, maybe a less-known European with a tall and thin but powerful build. The kind of guy who looks like he has to chase down his dinner in the woods every night.

In addition to prehistoric and ancient Greek imagery, I looked for seascapes, and costumes for the well-clad Adoratrice Cleito, and flora and architecture that would be evocative of the island that would become Atlantis. You can check out the board through the widget below and tell me what you think.

Remember: it’s #PoseidonWeek! On Thursday, September 1st, 9:00PM, I’ll announce winners of Poseidon swag provided by Zazzle. You can enter by commenting or sharing a post or interacting with my Facebook page. 

I’m on Pinterest!


I had a lot of fun creating this board for Werecat with photos, artwork, people and places that give a flavor of the story.

It’s always fun dreaming about what casting would look like, and you’ll see some of those dreams on the board (i.e. Michael Fassbender for the role of Benoit; a guy can dream!). I’ll be doing some more ‘pinning’ over the weekend. Send me your suggestions and show me your own boards!