The Lost Histories, a poem

It’s been a long time since I tried my hand at poetry, possibly for good reason. My feelings about poetry are similar to my feelings about dancing. I have tremendous admiration for those who can do it, but its artfulness always seems to be out of my grasp. Just ask the few people who have witnessed me dance. The problem is not merely a lack of rhythm, though that’s definitely apparent. It’s also a lack of confidence with my own body, which leads to a stunted sort of bouncing around, shoulder shrugging, and an occasional loss of balance.

Alcohol helps a little. So I’ve been told.

The last time I enjoyed writing poetry was all the way back in eighth grade. That was when I had the opportunity to take my first creative writing class. When we got to the poetry unit, I recall that most of us were skeptical. In my middle-class, suburban junior high, back in the 1980s, poetry was not cool. It was sappy, or pretentious, something that depressed, lovesick girls did in their depressing diaries. Well, to be fair, I kept a depressing diary. But I didn’t write poetry in it, and I certainly would never share my feelings with the world.  Besides, I hardly related to the male poets that we read: Robert Frost, John Donne, William Butler Yeats. First of all, they had things to say that were much more profound than anything I could come up with. Second, the way they said those profound things was much too elegant and clever for my feeble brain.

I dreaded having to write poetry myself and figured I would just fake it. Until we read poems by e.e. cummings, and I saw that poetry could be funny. I suddenly became a prolific poet.

Sometimes I wish like mad I had held onto my work from back then. I’m sure I would get a good laugh over how juvenile it was, however appropriate for my age at the time, but I also remember reveling in the creation of the absurd, and inventing parodies of “high brow” poetry. My teacher totally encouraged my insipid verse, maybe in surrender to my refusal to write anything else, maybe taking a broad view of creative expression. He was a pretty cool guy. In any case, I discovered I really did like poetry. That year, I looked forward to creative writing class every day. It became a place where, unexpectedly enough, I could be myself.

Nowadays, I practically never indulge in writing humorous poetry (though perhaps I should). I’m still intidimated by poetry generally, but I recognize that it’s important for me to read and write, both to better understand the world and to improve my prose. I don’t ever think I’ll be accused of being an especially stylish or lyrical writer, but poetry helps me to appreciate the flow and rhythm and imagery of writing. From time to time, I do it as an exercise, with nearly the same foot-dragging aversion of going to the gym. Like I said above, it’s been a long time, but you can see some of my past poetry here, and here, and here, and here, and here from the early days of my blog.

I’m working on the sequel to The City of Seven Gods, which is part of what I’m calling The Lost Histories series. In the New Year’s spirit — let’s do more things that are good for us — I refound some motivation to give poetry another try. Thus, I bring you a poetic companion piece to the series, which I wrote, trying to inhabit the mood and origins of the story.

Before Greek titans tramped the earth,
And Gilgamesh slayed mighty Humbaba,
‘Ere Atum sneezed, bringing forth his god-children,
And the heavenly war arose for dominion over Babylon,
Yes, certainly before a god made man from clay,
And plucked his rib to fashion woman as his companion,
There were battles and love affairs and tragedies,
To drown multitudes in the deepest canyon.

What did the Egyptians know?
Or Herodotus who thought he had learned so much?
They were as green as spring,
Their continents the burial ground for the masses who came before,
Once clashing and laughing and bragging and whimpering,
As though no other generation would ever know joy and strife,
They are silent now as the desert dunes,
Tears dried brittle on the sand, long ago swept away by the wind.

Yet do not doubt: They lived,
Gods who were no more than men,
Men who accomplished feats befitting gods,
Most wanting only to be known as daughter, son, or lover,
Think now,
Remember.
They are the song you hear in your sleep,
Hold onto it before it disappears in the shock of day.

 

National Poetry Month

It’s National Poetry Month again, so time for me to do my part, and subject the public to my middling poesy.

I chose to write an Anaphora, which uses repetition of words or phrases, often in the style of a chorus or an anthem.

(Actually, I got the idea from this cool site called The Journal, which has tons of prompts for writers).

This is a refrain that goes through my head some mornings. Though—when I fleshed it out on paper—it took a turn for the absurd and the dramatic.  It is in no way a reflection of how I feel about my job.  It’s more about the loss of leisure time and pleasurable things, like sleep.

Here We Go to Work Again

Here we go to work again,

Dethroned from slumber’s diadem,

Throw on some clothes I chose last night,

A hurried meal, a staggered flight.

 

Here we go to work again,

But first the local coffee den,

To get a dose of rocket fuel,

And slake the day’s commuting gruel.

 

Here we go to work again,

As routine as it’s always been,

A quick smoke before the train pulls up,

Then all aboard with coffee cups.

 

Here we go to work again,

We lonely soldiers, countrymen,

A train car filled with silent screams,

Of life’s injustice, stolen dreams.

 

Turning Japanese

I came up with this post title, realized it was a masturbation reference (from the Vapors’ 80’s hit of the same name)–which I’ve been doing a lot lately, using onanism puns on my blog that is,  but I couldn’t think of a better title so there it is.

This week, I decided to write a little poetry on the train.  The Notes app on my iPhone lends itself to short form verse, so it’s all Haiku–a 17th century Japanese poetry style.

I believe the thing with Haiku is visual imagery.   Traditionally, the poems are written vertically with an ink pen and sometimes accompanied by a painting, or, they can be inscribed on monuments.   I tried to stick to imagery but took some liberties.

Train Haiku

A morning train,

Chirpy chatter, Nooks, and texts,

And I, cocooned.

~

When I was younger,

I thought you’d burn your eyeballs,

Staring at the sun.

~

Little cat pounces,

Tail licks the air, fore-paws clamp,

She’s caught a house fly.

~

When he’s listening,

He nods fast like he agrees,

But inside, he doesn’t.

~

I dreamt of Tokyo,

Where you can leave your bike out,

And no one steals it.

~

January snow,

The sky is clotted with gray,

A frozen footprint.

~

Waiting for the train,

Bundled in coat, scarf and hat,

Her ears whisper songs.

A Poem for Wednesday

I’ve been watching more US Open Tennis than writing lately.  My picks to win:  Caroline Wozniacki and Roger Federer.

But tossing around some thoughts while waiting for a connecting train this morning, I came up with this poem.

Eat, Pray, Love for the Small-town Boy

 

He wanted to see the world,

Places photographed in travel magazines,

Small town America was porridge,

The Far East curry and chili peppers,

He wanted to stand on Grecian mountains,

And dive from Mexican cliffs,

To feel his heartbeat thudding in his chest.

 

He wanted to see the world,

Nine dollars an hour and Walmart jeans,

If you squint real hard at night,

And smoke enough marijuana,

Main Street sparkles like an Italian piazza,

And dreams of breaking free,

Are always just a day away.

 

He wanted to see the world,

No one could tell him he didn’t have the right,

Truck stop trade, broken windshields, bloody noses,

If Julia Roberts could do it,

So could he,

One day he’d take that bus to the airport,

And disappear.

Dragging myself back to blogdom

I’ve been a terrible procrastinator lately.  When I started this site 9 months ago, I made a commitment to post at least once per week, every Wednesday.

I had a good excuse last week.  We had friends in town from Germany, and it would’ve been pretty rude to shoo them out of the guest bedroom so I could get on the computer.   But they took a trip down to DC for most of this week.  My only excuse for neglecting my site (and my writing) is needing some time to warm up before I get back in the game.  My manuscript has also more or less collapsed and will need to be gutted and rebuilt from floor to ceiling.  I’m feeling a tad sorry for myself.

So while my prose is gummed up, I thought:  why not some poetry?  Here’s a piece I just wrote while thinking about my re-write, both thematically and I guess personally.

I am driftwood in the ocean,

Hostage to its welter and swell,

I lift with foolish hope on the crest of waves,

To drag back in a tractionless wake,

Caught in the Universe’s laws of motion,

An object at rest prefers to stay at rest.

 

I never had a problem swimming with the current,

A school of fish is a happy place,

The undertow can drown,

And sharks attack in open water,

I thought that I was bold,

But I never ventured further than I could swim to shore.

 

I did not choose to wallow here,

It was what I saw, what I heard that chose,

A startled witness,

I did not want to see, too late,

The truth scalds like alchemy,

Changing who you are from the inside out.

 

I’ve become now petrified wood,

The ocean cannot keep me,

I plummet like a depth charge, crushed by psi’s,

It may be safer on the ocean floor,

An object at rest in a primordial bath,

Waiting for an organic spark to re-emerge.