Some Artwork for My Book

They say you need a project while waiting to hear back from agents, and mine has been imagining cool artwork that could go along with my book.  Fantasy maps and family emblems – that kind of thing.  I have absolutely no talent in the fine arts, but luckily my honey has been helping out in that department, working from my primitive sketches.

So I’m ready to unveil a few prototypes just for fun.  My novel THE SEVENTH PLEIADE has a rather large cast of characters, grouped by family clans, who I derived from Plato’s account of Poseidon’s ten sons—five sets of twins—in the Critias dialogues:

“The name of the eldest son was ATLAS, who was king of the entire island, and from him the Atlantic Ocean takes its name.  His twin brother was called, in the Atlantean language, GADIR.  He had for his portion the extremity of the island near the Pillars of Hercules, and that part of it has since borne the name Gadiric.  The next pair of twins were called AMPHISOS and EUDEMON, and the others respectively MNESEUS, AUTOCHTHONOS, ELASSIPOS, MESTOR, AZAES and DIAPREPOS.

These princes reigned in prosperity in the island for several centuries, and established a supremacy in the midst of the ocean over many other islands, as well as over those which are near Egypt and Tyrrhenia.”

From this passage, we get the legend of ten Kings, an oligarchy that passed down through generations.  Each filial line became a family clan.  I came up with symbols for the royal Houses, and names for their descendants who—at the time of THE SEVENTH PLEIADE—are dozens of generations removed from their founding fathers.

Based on Plato’s account, and ancient world customs, I imagined the royal society as patriarchal, with sovereignty passing from father to son, based on birth order, resulting in a long list of Crown Princes in line for the throne:  the King’s brothers, sons, grandsons, nephews or even cousins depending on the case.  Thus, the main characters from my story are indicated as firsts, seconds, thirds, etc.

Here, I’ve only indicated the families who play a prominent role in my story. 

The House of Atlas

Governor:  PYLARTES

Province:  The island of Atlantis and its surrounding Cays

Governor’s wife:  THESSALA

Crown Princes: First – AERANDER (Pylartes’ only son); Second – ARTEMON (Pylartes’ eldest nephew)

Governor’s daughters (Princesses):  ALIXA and DANAE

The House of Eudemon

Governor:  EULIAN

Province:  The Fortunate Isles

Governor’s Wife:  GRECIA

Crown Princes: Fourth – LYSIMACHOS (Eulian’s eldest son); Sixth – CORYDALLUS (son of Eulian’s eldest brother) ; Seventh – CORYTHYLLES (twin brother of Corydallus); Eighth – KOSMOS (son of Eulian’s younger brother); Ninth – LEONITOS (Kosmos’ younger brother)

The House of Gadir

Governor:  HESPEROS

Province:  Upper Azilia

Governor’s Wife:  MERYLIBUND (deceased)

Crown Princes:  Thirteenth – DARDANOS (Hesperos’ third-born grandson); Fourteenth – EVANDROS (Dardon’s younger brother)

What did the Atlanteans look like?

A friend who started reading my manuscript asked me this question recently, and it caught me by surprise.

I had a good picture in my head of most of the characters.  But I used physical description sparingly in my manuscript because, as a reader, I like letting my imagination shape my view of a character’s appearance.

The exception is when there’s some well-placed, evocative trait.  I’m reading David Malouf’s RANSOM now, and Hermes’ “golden hair hanging in ringlets” is a great example.

But the question made me realize I had taken a lot for granted with my readers.  Atlantis conjures up a huge range of images, from extraterrestrials to mermaids.  So the ancient world sensibility I was trying to get across may not be immediately apparent even though the character and place names should be familiarly ancient world—Greek and Egyptian in particular—to some.

The main character is named Aerander.  His love interest is Calyiches.  His nemesis is the High Priest Zazamoukh.

Without geeking out too much (hopefully), let me explain that the inspiration for my Atlantean world comes from the cultural diffusion theory proposed by Lewis Spence.   Atlantean civilization began around the 10,000 B.C.E..   It declined ten centuries later, and was destroyed by natural disasters and invaders from Western Europe.  Were there survivors and what happened to them are questions that my novel THE SEVENTH PLEIADE seeks to answer.

According to Spence, Atlantis was located in the vicinity of the Canary Islands, where conditions were optimal for a flourishing Neolithic civilization.  Its evidence lies in the spread of an “Atlantis culture complex” most notably to North Africa, Mediterranean Europe and Central and South America.

My premise is the Atlanteans migrated from the Iberian peninsula—though they claimed to be descendants of titan gods—and they came into contact with Northern and Western Africans (who I call Mauritanians and Tamanans), Northern and Southern Americans (who I call Lost Pangeans and Lemurians), and Europeans (who I call Azilians).

As such, Atlanteans and their contemporaries wouldn’t have looked much different than ancient world peoples, or us modern day folks for that matter.

Atlanteans didn’t have blue skin or gills or fishtails.

Marvel Comics interpretation of the Atlanteans, Homo mermanus

An interesting theory is the Atlanteans are ethnically linked to the ancient Guanches and Berbers whose origins have been elusive to anthropologists.

The Guanches were first described by a 12th century Arab geographer Muhammad Al-Idrisi who visited the Canary Islands and found a mysterious indigenous population.  He wrote about visiting a village:  “whose inhabitants have long and flaxen hair and the women are of a rare beauty.”  No one knows how the Guanches came to arrive on the Atlantic island.

Similar to the ancient Berbers (who lived in the evocatively named Atlas Mountains of Northern Africa), the Guanches are described as physically distinct from their Mediterranean and North African neighbors.  They were tan in complexion but tall in stature and tended to be fair haired.  These characteristics lend themselves to a rich mythology, which I propose the Atlanteans capitalized on.  They were the sons of gods, the “chosen ones.”  With their high-minded claims to heredity, they managed to colonize the pre-historic world.

Here are some of my references for what the Atlanteans might have looked like.

 

A Guanche statue from Tenerife, Canary Islands

One of the Guanche Statues from Tenerife, Canary Islands

A young woman of Guanche descent

French star soccer player Zinedine Zidane, of Berber descent

French actor Fu'ad Ait Aatou of Berber descent

French actor Fu’ad Ait Aatou of Berber descent

Roman Emperor Septimus Severus, ancient Berber heritage

 

Live Reading from The Seventh Pleiade

Pretty cool — thanks to the 2011 Lambda Literary Foundation retreat, I have my first videotaped reading.

It’s from my novel THE SEVENTH PLEIADE, an excerpt from midway through the story when things are heating up for the hero Aerander.

Let me know what you think!

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