WeReCaTs!!

Alex the Werecat by Anna Rosenrot

So andrewjpeterswrites.com has been looking more like andrewjpeterssleeps.com lately, but truly, I have been doing a lot of writing off-line. Over 30K words in fact. It’s a project that was inspired in part by Allison Moon’s tasty werewolf series TALES OF THE PACK.

Lesbian werewolves: meet gay werecats.

Some of my friends have been quick to point out the comic possibilities of such a theme: high strung, fastidious queens who perch above the world throwing shade at their “inferiors.” I’m not taking it from that angle, for better or for worse. The series that’s coming together is dark and sexy and aims to explore what might really happen if man and feline could be merged. Some of you have seen my posts on my beloved tiger-striped tabby Chloë. I’m fascinated by cat psychology, as well as human psychology, so I hope to delve into those aspects, while keeping the tone gothic, humid and romantic.

Werewolf stories have a pretty big fandom, but who likes werecats? The literature is rather sparse. A Barnes & Noble search of “werecats” turns up fifteen titles, three of which are studies of an array of demonic creatures – vampires, werewolves and the like. Jami Lynn Saunders has a werecat horror series that comprises four of the other titles. The rest are paranormal romance (Sally Bosco’s WERECAT CHRONICLES for example) from a female heterosexual point of view.

 

Werecat films are few and far between. The only one that has some notoriety, from thirty years ago, is CAT PEOPLE, with Nastassja Kinski, Malcolm McDowell and a title song by David Bowie.

Poster from the 1982 movie

Then of course, there are the comics and RPGs. Thundercats tends to be the major reference when I tell people I’m writing a werecat story. (Regrettably).

So what do you think? Are werecats a long-neglected theme rife with literary possibilities? Is the subject too cheesy, too wannabe-werewolves for success? I’m writing this story either way, but I’m curious how people feel about werecats?

Cleito

The last installment of main characters from the novel I’m currently revising is Cleito.

Cleito is a minor figure in Greek mythology.  She’s mentioned briefly by Plato in his Critias dialogues:

“Poseidon…had been awarded the isle of Atlantis, where he begat children by a mortal woman.  The island…where dwelt an aboriginal inhabitant called Evenor, who by his wife Leucippe, had a daughter called Cleito.  The girl, after the deaths of her parents, was espoused by Poseidon.”

There’s no physical description of Cleito that I can find, nor any statues or paintings of her from the ancient world era.

In some ways, that makes her portrayal more fun.  Cleito was the Queen Mother of Atlantis, but she’s left obscure, while her husband is depicted widely in mythology and artwork.  I have a blank slate from which to work.

Here are a few images I retrieved that shape my rendering of her.

 

This is the crest from the Krewe of Atlantis, a civic organization that puts on an Atlantis-themed float at New Orleans’ Mardi Gras.  Cleito is the Grecian matron on the left.

 

 

 

 

 

 

Like I said, there are no ancient world artifacts featuring Cleito, so I had to stretch my search to modern things, like this painting that advertises the “Cleito Room” at the Atlantis Guest House in Bloemfontein, South Africa.  Here she’s a mermaid, with quite a following of young mermen.

I’m not depicting Cleito as a mermaid, but she does like having men wrapped around her finger.

According to the website, the “Cleito Room” features one double bed and a shared bathroom.  A room for travelers on a budget.  Cleito would be ruined.

 

This is a painting of the goddess Amphitrite that I really like.  It’s by artist Gintare Bruzas.  Amphitrite was Poseidon’s more famous wife, so there are a whole lot more images of her than Cleito.  It comes really close to how I imagine her.

 

 

Retrieved from Dreamstime

When I started writing Cleito, I kept thinking about Maria Sharapova.  She’s kind of been my muse.  Cleito is strong-willed, physically and psychologically intimidating, tall, commanding, fashion-conscious, and she doesn’t crack a smile when she’s hard at work.  Before she shared the stage with Poseidon, she was the kingdom’s High Priestess after all.

Poseidon!!

In keeping with a theme, I thought I’d troll around the net and post some images of Poseidon that caught my fancy.

He always comes across as a dark character in mythology.  Angry.  Spiteful.  Pretty much indifferent to human suffering.

This is a really cool sculpture of Poseidon at the Port of Copenhagen.  He’s built and mean, with his trident spear.  Not precisely how I’ve imagined him in my novel; the premise is Poseidon was a regular Neolithic guy who was idolized for political purposes.  But my portrayal is influenced by his physicality, and an inference of sadness from the ancient Greek sources.

Here’s a younger, leaner Poseidon.  It’s a famous bronze statue circa 5th century BCE Greece.  I bought a copy of it in Mykonos.  He looks more athletic, less musclebound, in these earlier renderings.

 

 

 

 

Kevin McKidd made a fine Poseidon in Percy Jackson and the Olympians.  He didn’t have the long wavy hair and beard, but he definitely had the gravitas.  And it wouldn’t seem right if Poseidon didn’t have a British accent.

 

 

 

 

 

Here’s Poseidon on a Greek postage stamp.

 

 

 

 

 

 

I like this illustration by artist Rhea Babla.  Pretty much lays out the iconography, and he’s a handsome, kind of earthy-looking dude.  You can check out Rhea’s blog, with samples of her artwork at Silver Platypus.

 

What did Dionysius look like?

So many of you have asked for more about Dionysius after last week’s post.  [Crickets chirping]  Nonetheless, this week, I collected some of my favorite images from around the web.

Here’s a 2nd century ACE Roman statue of Dionysius, or Bacchus, copied from an earlier Hellenistic model.  I saw this one years ago at the Louvre.

There are two common versions of the god.  Like the statue here, he is sometimes depicted as a handsome, beardless young man, a derivation of the earlier, popular Greek kouros, an idol of the masculine ideal, which also seems to have been the prototype for statues of Apollo.

 

 

A Roman bust, from Tyre, provides more facial detail for Dionysius, and the depiction of a horn on his head.  Dionysius was associated with animals, and mythological hybrid creatures like the satyr.

 

 

 

I had the opportunity to see this piece at the museum of Delos, an ancient archaeological site.  It was originally a mosaic from the atrium pool of a wealthy home that has been named the House of Dionysius.  The story here is  Dionysius riding back from the East, his reputed birthplace, on a panther.  He’s seen with his common symbols – a thrysos (a pine-cone tipped staff) and a wreath of ivy.  He certainly looks androgynous here, in fact – could he be cross-dressing?

This is a glass cameo from the 1st century ACE, at the Petit Palais in Paris.  Dionysius (Bacchus) is the little child, and the description says the older man in the picture is a satyr, giving Dionysius grapes.

 

 

Here’s Caravaggio’s painting of Bacchus, where he looks especially flamboyant, yet cherubic at the same time.  It’s from the 16th century.

 

 

 

 

 

 

A painted vase by an ancient Greek artist known as Kleophrades shows an older, bearded Dionysius with a panther pelt as a cape and a cup of wine.

Finding Dionysius

Dionysus

Lately, I’ve been thinking a lot about Dionysius.

My work-in-progress POSEIDON AND CLEITO features him as a supporting character.  Perhaps, true to his nature, his portrayal eludes me.  At times, he demands the spotlight, and his appearances send the story into disarray.  At other times, I try to coax out of him his reason for being in the narrative, and he’s elusive about his purposes and his motivations.

It would be easier if he could be pinned down as a good guy or a bad guy, thus moving the story forward by either helping or hindering the hero Poseidon.  So far, Dionysius gets in some jabs at the hero, and creates some chaos.  But the tension is fairly low-wattage.  For an epic story, there needs to be big conflict moving things along, on the magnitude of life or death situations.  Dionysius seems to just want to introduce emotional tension – desires, loves, jealousies, and some mild contempt.

I need to study and understand this guy some more.  So I figured I would do a Q & A piece with him this week.  Readers:  meet Dionysius.

ANDREW PETERS:  Thanks so much for joining me at andrewjpeterswrites.com.

DIONYSIUS:  My pleasure.  It is an honor to be recognized by such an accomplished literary talent.  Your website is exquisite.

AP:  Thank you.  I hadn’t meant to bring this up in our interview, but since you mention it, I wonder what you make of the Internet and our modern digital age.

D:  I love the freedom of it.  You can meet so many people and never leave home.  I love Facebook and Twitter.

AP:  I imagine you have many followers.

D:  I do.  From all parts of the world.  I love exchanging pictures.  I can send you some, if you like.  I have galleries and galleries with photos from all of my parties.  I understand you enjoy handsome men.

AP:  Well yes, but I’m married.

D:  Then you can share them with your husband.  You’ll both enjoy them.

AP:  You’re probably right about that.  But, if I may, let me ask you some questions about your story, and this novel POSEIDON AND CLEITO—

D:  It’s coming along terrifically, isn’t it?

AP:  Actually, I’m having some problems.  And they mainly have to do with you.  Let’s start at the beginning.  Can you tell me about your background?

D:  My father was the God of Thunder.  My mother told me he struck a lightning bolt in her tummy, and along came me.

AP:  I don’t mean to start things off argumentatively, but an on-going question in the story is whether or not you are truly who you say you are.  Could you shed some light on that?  I mean, are you really the son of a god?

D:  I never knew my father, so all I can say is what my mother told me.  As a child, I was curious about him, but my mother would only say their affair was brief.

She was a restless sort, like me.  She wanted to travel the world, and she kept company with many men.  She left me in the care of a childless couple when I was very young, and they raised me as their own.

AP:  Do you have magical powers?

D:  Magical powers, no.  Talents, yes, I’ve been told.  I’ve a good signing voice.  I’m well-skilled in all sorts of carnal pleasures.  I can turn a phrase, make people laugh.  I adore organizing parties.

AP:  Charisma seems to be your secret weapon.  And there’s something a bit mysterious, or spell-binding, about that.  Everyone you encounter falls in love with you.

D:  That’s very generous of you to say, though I think it’s an exaggeration.  I have been exceedingly fortunate to experience a lovely array of companions.  But not everyone, I think you know, falls under my ‘spell,’ as you put it.

AP:  You’re talking about Poseidon?

D:  Yes.

AP:  What is it between the two of you?

D:  We look at life from different perspectives.  He sees things in absolutes.  I don’t see the point in putting a label on things.

AP:  You get under each others’ skin on a number of occasions.

D:  He can be a bit uptight.  And judgmental.

AP:  In the story, he calls you careless, selfish, and dishonest.  Yet you continue to try to win him over, while he’s always trying to hold the reins on you.  Could there be a love/hate attraction going on there?

D:  I think you’ve unmasked me.  Love/hate attractions are my favorite kind.  They kindle the greatest passion.  Though, concerning Poseidon, I don’t think we’re destined to be lovers.  He is much too conventional.

AP:  He comes across as a bit homophobic at times.  What do you make of that?

D:  I detest homophobia.  I think people who deny pleasure, of themselves or others, have terrible personal problems.

AP:  You see it as a psychological illness?

D:  Most definitely.  When a mind becomes fixed in such a way, seeing ugliness where there is plainly beauty, there are all kinds of ramifications.  I see it as a form of self-hate.

AP:  This leads me to another topic that’s been confusing me.  You have female lovers and male lovers.  Would you describe yourself as bisexual, 50/50, or do you find yourself leaning more one way or the other?

D:  I like the term pansexual.  Men and women are different, but they are equally intriguing to me.  In a sense, men are more of a challenge, and I enjoy a challenge.  So perhaps I’ve spent more time chasing men than women.

AP:  That’s interesting.  In fact, it seems to me your greatest love affair turns out to be with a man.

D:  I hope you’re not referring to Poseidon.

AP:  No.  The young artist.  Cleito’s protégé.

D:  I have a deep affection for him.

AP:  Enough to settle down, and swear off your affairs?

D:  I’m the kind of man who needs to be introduced to new things.  I get that from my mother.  There’s a traveler’s spirit in me that has to be nourished.  If I settle down, that spirit will die.   I don’t think that would be good for either of us.

AP:  Could you have an open relationship?  I mean, where you are emotionally faithful to one partner while having sex outside of the relationship?

D:  If I understand you correctly, I think I’ve been doing that my entire life.

AP:  All right.  Let’s get to the crux of the story.  The two title characters are searching for their place in the world, and it’s a story about overcoming obstacles, and pursuing one’s dreams.  Where do you see yourself fitting into that theme?  Do you have dreams and goals for yourself?

D:  Was my publicist drunk when you arranged this interview?  I had no idea things were going to turn so serious.

Well, let me put it to you this way.  When I wake up each day, sometime after noon, I see the world full of shining possibilities.  I never know who I might meet, whether I will be feasting that night under the stars with a group of newfound friends, or singing for my supper on some street corner in a strange city.  In either case, I’ve always found that the world provides for me.

AP:  What is it that you want?

D:  Happiness.

AP:  Have you ever thought of taking up a profession?

D:  Hmmm…not really.  I’ve a fondness for the performing arts.  Maybe directing.  But I’m really much better suited for lively conversation, and inebriation.

AP:  OK.  I’ll turn to some modern topics.  What do you think of gay marriage?

D:  I favor abolishing marriage completely.  I see it as entirely unnatural.

AP:  What about polygamy?

D:  That’s even worse than traditional marriage.  Not only do you chop off your manhood, but it gets cut up in equal parts for each of your wives.

AP:  Gays in the military?

D:  I believe there should be unfettered sexual contact within all vocations.

AP:  That’s all the time we have today.  Thank you Dionysius.