2017 in Books

      No Comments on 2017 in Books

I was inspired to write this post by Goodreads’ Your Year in Books feature, which is a really nice way of cataloging your reading, and is this the first year they did that for users? I hadn’t noticed it before. Though I am known to be unobservant at times!

Anyway, here’s my year as tricked out and analyzed by Goodreads. My less tricked out summary: I read thirteen books in 2017, which is strangely the exact same number I had for 2015 and 2016. So I’m pretty solidly a one book per month reader. I don’t know how I’d find time to do more than that without sacrificing my writing time.

This was probably my most purposeful year reading-wise. I wanted to read as many gay fantasy books as I could to expand my cred as somewhat of an authority in that genre. For a rather specific niche, there’s a huge universe of gay fantasy titles, but when you start digging into it, it’s kind of like nine out of ten are really romance, and really formulaic MM romance, where the story is about a relationship between two guys, with lots of titilating scenes, and the fantasy world and whatever quest the guys have to accomplish are much, much, much in the background.

Those kind of stories are not my scene, so the real challenge for me is finding gay fantasy titles that aren’t first and foremost romance and erotica. I get recs from Goodreads and Amazon and awards programs and LGBT sci fi/fantasy blogs, though it does take some additional research to try to gauge whether a title is going to be up my alley.

I didn’t read gay fantasy exclusively in 2017, so I’ll start with the non-fantasy titles.

I picked up Geoffrey Ryman’s Was because I thought it might be a bit like Gregory Maguire’s Wicked series (also based on The Wizard of Oz). Turned out: not so much. The story is reimagined and speculative for sure, but from the point-of-view of a realistic Dorothy Gale in late 19th century Kansas, as well as a young Judy Garland and an invented character who is a washed up actor, obsessed with The Wizard of Oz, and dying of AIDS. If all of that sounds depressing, you are right on the money! It’s a book with three, interwoven tragic stories, but I found it to be definitely worth the read. Ryman is an encyclopedia of knowledge about the history of Kansas, Judy Garland, and the filming of The Wizard of Oz. He’s an excellent writer, and the details about all three of those topics were engrossing. The characters — none of which could be described as likeable on the surface — have important stories to tell, and I love flawed heroes.

I also read Rahul Mehta’s realistic No Other World for personal reasons. It’s a coming of age story, set in upstate New York, in the 1980s, with a gay, Southeast Asian lead! Ding, ding, ding! You may not know this about me, but I’m really fond of Southeast and Near Eastern authors. Hanif Kureishi and Shyam Selvadurai are two of my very favorites. So, Mehta had big shoes to fill so to speak, and I ended up digging the book. Not a fan of the narrative structure (does every work of literary fiction have to play around with fractured storylines?), but overall, I thought it was quite a poignant and illuminating portrait of growing up with intersecting identities.

I had one oddball, esoteric title on my list: a translation of Petronius’ 1st century A.D. novel The Satyricon. From its description and the literary criticism I read about it, it looked like another ding, ding, ding! for me; really compulsory reading for any writer who espouses to have any gay fiction cred, or ancient world historical cred. And it’s described as high satire – the author’s irreverent answer to the treacly romance novels that were popular at the time. (Another disclosure: I have a book coming out that is a gay re-telling of Chariton’s 1st century A.D. Callirhoe, which I sped through while bursting with ideas for bringing the story into the 21st century).

For me, lightning did not strike twice. The Satyricon is a strange story, and it feels even strangely modern with its focus on a group of marginal, vagrant characters who drift from one illicit situation to the next, like drug addicts from the 1960s in a William Burroughs novel, or even a bit thematically like the work of Bret Easton Ellis, Jay McInerny and Joan Didion, a story of apathetic excess. That would seem to be perfect for me, but I just couldn’t get into the story. Similar to Callirhoe, and–from what I’ve read about the style of the era–most ancient Greek and Roman novels, there was very little development of the characters, and they didn’t hold my interest. I’m embarrassed to say I gave up on it less than halfway through.

Now, the gay fantasy titles I read in 2017…

Hands down, my favorite discovery was Daniel Heath Justice’s The Way of Thorn and Thunder. Epic fantasy inspired by Indigenous American folklore! Amazing stuff. I wrote a lot more about it on Goodreads which you can check out here.

Chaz Brenchley’s The Tower of the King’s Daughter was another happy find. I had to track it down through inter-library loan as it’s out of print. A punchy, high stakes adventure in a medieval, Crusades-like world. I liked it so much, I added it to my Intro to Gay Fantasy list.

I continued with Samuel Delaney’s Neveryona saga, whipping through Return to Neveryon and confirming that my literary life was nothing until I discovered Delaney.

And I read Steven Harper’s Iron Axe, two sci fi titles: Carol Holland March’s The Tyro and Hal Duncan’s Vellum, and a trio of books I wanted to read to see what all the hoopla was about: Jesse Hajicek’s The God Eaters, Mercedes Lackey’s Magic’s Pawn, and C.S. Pascat’s Captive Prince.

Plus one non-gay fantasy title. I had been wanting to read Guy Gavriel Kay for a while, and I dug in with Sailing to Sarantium this year.

I have a lot more gay fantasies on my TBR list, so I’m going to be staying with that genre in 2018. I’m always looking for epic fantasy and ancient world historicals with gay themes, so let me know about any books you think I should be reading!

Happy Holidays and Reflections on 2017

      No Comments on Happy Holidays and Reflections on 2017


It’s been such a busy time of year, I’m not going to do any better than putting up one post this month. It’s my annual Happy Holidays post, and I’m reminded of how much I have to be grateful for this year. As a writer, I could not keep at it without my family, friends, readers, writing colleagues, and publishing house staff cheering me on. I am incredibly fortunate to have so many supportive people behind me!

2017 has also been a difficult year for many of us, but I’ll focus on the good stuff first.

In late 2016, my novel The City of Seven Gods came out, and–as humbly as I can say–2017 was the year when I could add: “award-winning author” to my biography. Early in 2017, The City of Seven Gods was shortlisted for 2016 Sci Fi/Fantasy Book of the Year in the Foreword INDIES, and then, in August, it won Best Fantasy/Horror in the 2017 Killer Nashville Awards. On a night I will always remember, I attended a literary awards program for the first time in my life, and was called up to the podium to accept the prize and give a victory speech.

Another big highlight of the year was the release of The Sim Ru Prophecy in June, the fourth and final book in the Werecat series. It was gratifying to bring Jacks’ story to completion, a project that began in 2012 and was brought to life by Vagabondage Press. Working with VP publisher Fawn Neun and my editor N. Apythia Morges, we put together a new marketing plan that reinvigorated the series, including re-releasing the first installment The Rearing as permafree. The books soared in the charts throughout the last half of the year with The Rearing holding a spot on Amazon’s top ten best sellers in gay fiction for several months.

I also placed a new novel with a new publisher, to be released in late 2018. I’ll have more news to share about that in the coming months! Meanwhile, I’ve been working on a follow-up to The City of Seven Gods. I hope to have that out in the world in 2019.

Personally, it was also a great year for friend reunions and celebrations. In July, Genaro and I visited our good friend Jorge in Mexico City, and he hosted us at his fabulous B&B The Red Tree House. We celebrated Genaro’s big 5-0 just a few weeks back on a Caribbean cruise with some of our closest friends, including Jurgen and Thorsten from Germany. 🙂

I do have to acknowledge that in the background, from start to finish, 2017 has been harrowing, surreal, and at times terrifying with respect to the political climate, the erosion of civil rights, under the U.S. President’s regime and our Republican-controlled Congress. Nearly every week, there has been an assault on human dignity and social justice. Many of us have felt it personally. With the president’s nationalistic rhetoric and posturing, and the spectre of so-called “Religious Freedom” legislation, I have never felt less safe in America as a gay man. I have also been anxious and angry on behalf of the many women in my life as well as friends and colleagues who are transgender, or undocumented, or Black, or Muslim, or assumed to be Muslim by their skin color. To describe our national climate as hostile would be an understatement.

There have been bright spots with the failures of Trump’s immigration ban on Muslims and his attempted ban on transgender servicemen and women as well as the defeat of the Republican-led repeal of affordable health care. We have been mobilized as #TheResistance and created the largest worldwide political demonstration in history: The Women’s March. We successfully preserved progressive legislation in many cases and even won elections for fair-minded candidates. We have supported women and men coming forward with their stories of sexual assault and harassment vis-a-vis the #MeToo campaign and held perpetrators accountable for their actions across the film industry, the halls of government, and many other sectors.

The fight goes on, and here’s to hoping that 2018 is the year when defense turns to leadership. Wouldn’t it be great if we weren’t reacting every day to some outrageous attack on fairness and human dignity and instead had leaders who were guided by those values? I think the tide is turning. I cannot shake my belief that there are more Americans who believe in the promise of a diverse, pluralistic, democratic society than those who seek to destroy it. Anyway, that’s what’s been getting me through the day.

My very best wishes for a happy, peaceful, joyous holiday season, and my deepest gratitude.  

LGBT Queens Book Night!

      No Comments on LGBT Queens Book Night!

I’m really happy to be featured in this year’s LGBT Queens Book Night next Wednesday, November 15th at Queens Pride House in Jackson Heights. The annual event showcases local authors who have recently published fiction, poetry or non-fiction, and brings together writers and readers in the LGBT community.

I’ll be joined by Russell Ricard, author of The Truth About Goodbye, and a resident of Forest Hills. Fun Fact: we’re both married with cats. (Not married to cats; that was supposed to be a play on ‘married with children’).

So what can you expect if you come out to the event? Unbridled literary mayhem. All right, that’s probably promising a bit more than we can deliver. But from past events, I can tell you that it’s a great, laid-back, homegrown event that gets a fairly equal number of writers and fans who are enthusiastic about LGBT literature as well as local pride. Did you know best-selling author Robin Cook grew up in Queens? And Patricia Highsmith. I won’t mention the borough’s most notorious offspring because we’re not exactly proud of him, nor does he qualify as literary. (ugh)

The panel will be moderated by community activist Demetrius Bagley and you can RSVP, see directions, a little more info over at the Facebook event page. I’ll be reading from The Sim Ru Prophecy and talking about the Werecat series and the role of LGBT writers in the era of resistance, among other things. I hope you can check it out!

An introduction to gay fantasy

      2 Comments on An introduction to gay fantasy

I’m often asked for fantasy recommendations, particularly on the gay fiction-side. That, combined with my love of the genre inspired me to tackle the project of putting together a list of titles as a departure point for readers looking for good quality portrayals of gay characters.

I could probably write an entire article on disclaimers about this list—the sea of titles to choose from, the subjective nature of singling out certain books, and the like. I actually kind of hate “best of” and “top ten” lists. They’re a bit disingenuous, so unnecessarily declarative, I think, and when I see them in magazines or blogs, I tend to be naturally cynical.

So, what should you take away from my little curated list? I guess just some ideas about what to check out if you’re new to gay fantasy, or even if you’re a huge fan and like comparing notes. I’m sure I missed some stellar books that aren’t on my radar. Feel free to let me know about those!

Disclaimer #2: These books are heavily skewed toward my reading (and writing) preferences, which are fantasy of the epic, historical, and/or magical sort, and more G than LBTQAI. I included one urban fantasy/superhero title, but that’s it for contemporary or urban/paranormal fiction; and there’s only one sci fi title. Some of the titles have lesbian, bi, and trans characters. None represent Ace, Aro or Intersex. I called this “an intro to gay fantasy” because I don’t purport to have the literary cred to throw out recs across the queer spectrum, though I think there’s decent representation in terms of race/ethnicity.

Maybe I’ll work on updating the list for the future with more fantasy sub-genres. I really have to be in the right mood to read dystopian and futuristic sci fi. I make no promises.

Last, I thought it was important to include why I thought each title was noteworthy, beyond my subjective appraisal since if I was in fact teaching a course on gay fantasy, that kind of thing would be important. You’ll see that down below. I also should mention I was intentional in choosing a diverse range of titles in terms of when they were written, the types of characters, themes, as well as #OwnVoices.

In a nutshell, #OwnVoices is a movement to uplift titles about marginalized groups, which are written by members of those marginalized groups, in order to combat historic and ongoing barriers for marginalized authors. I’ve written more about #OwnVoices previously if you care to learn more, and/or, check out this handy Q&A written by #OwnVoices creator Corinne Duyvis.

And away we go!

[12/9/2017 E.T.A. Chaz Brenchley’s Tower of the King’s Daughter]

The Left Hand of Darkness by Ursula Le Guin

Publisher: ACE

Year: 1969

Themes: Futuristic, science fiction, alien races, hermaphrodite/bisexuality, non-binary gender

Rationale for inclusion: Multi-awards: Hugo, Nebula; widely regarded as a groundbreaking and seminal work in SFF (see: reference); portrayal of bisexuality and reconstruction of gender

My quickie review: This won’t be the first or last rec list to begin with Ursula Le Guin. She is a prolific and critically-acclaimed author who brought critical commentary on the construction of gender to the genre and opened doors for female authors. Of course, she’s also brilliant. The Left Hand of Darkness imagines an alien race that is neither male nor female, and undergoes a reproductive cycle (kemmer) during which they develop male/female genitalia temporarily and arbitrarily, resulting in many sexual combinations over the lifetime, including fairly universal pregnancy and ‘motherhood.’ That was a pretty wild and innovative concept for 1969, and though the story is seen through the eyes of a biologically male human Genly who is visiting this ‘ambisexual’ planet on a diplomatic mission (and also happens to be described as ‘dark-skinned’), the depth of development of the differently gendered world is extraordinary and engrossing. It is also a story that is interesting to look at in context. Le Guin has acknowledged that some of her own heterosexist bias crept in while imagining sexual preferences as well as ‘defaulting’ to an association between masculinity and authority/political power.


Tales of Neveryon by Samuel R. Delaney

Publisher: Bantam

Year: 1979

Themes: Ancient world, slavery/exploitation, gender roles, social justice, sexuality

Rationale for inclusion: Multi-award finalist: Locus, Prometheus, National Book Award; Groundbreaking for its time in terms of gay content; Critically acclaimed (see: Editorial reviews from Amazon page); #OwnVoices: Delaney is a black, gay man and the main characters of Neveryon are principally brown-skinned people, including a “gay” protagonist (see: reference)

My quickie review: Tales of Neveryon is a loosely-knit, rotating collection of narratives about people living in a pre-historic world that has hints of ancient Mesopotamia and Africa. My mind was blown when I discovered the book. It’s utterly immersive and brilliantly subversive. Hard to encapsulate the plot, but the principal character Gorgik is orphaned by war, fated to work in a mining settlement as a slave, and educated about the methods and immorality of the elite, ruling class when he is taken into an imperial court through chance circumstances. The scale of the world and its histories are epic, though it’s not precisely epic fantasy. Delaney plays the role of both philosopher and storyteller via parable-style vignettes that shed light on the human condition, from the inhumanity of slavery, patriarchy/gender roles, and even the origins of sexual kink (there’s a thread on sub/dom relations, which is more cerebral than erotic). Gorgik and his lover Small Sarg lead a revolution, earning the right to be called fiction’s first gay power couple.


Swordspoint by Ellen Kushner

Publisher: Arbor House Publishing (originally, later Tor and Spectra)

Year: 1987

Themes: Regency era inspiration, swordfights/dueling, gay and bisexual relationships

Rationale for inclusion: Critically acclaimed (see: Editorial Reviews from Amazon page); Groundbreaking for its time in terms of gay content; Fan favorite (see: Listopia)

My quickie review: One of the most highly praised examples of “MM fantasy romance.”  Though I would not lump Swordspoint in with modern “MM.” The story has dark romantic elements, but there’s much more going on beyond the sexual and romantic lives of the characters. The setting itself is strange and subtly textured. It has an “almost” quality – familiar in its portrayal of greedy ‘haves’ and squalid ‘have-nots,’ a mannerly Regency Era world where grievances are settled by duels and people dress for tea. Yet there’s just enough queerness, and unique geography, to make you realize this isn’t Oxfordshire in the 18th century. The story centers on St. Vier, an expert swordsman with a host of wealthy patrons vying for his services, or to destroy him, in order to settle their petty feuds. Just about everyone is morally suspect, which makes for great drama and characters you love to hate. Kushner accomplishes quite a lot in this story of excess, greed, vanity and exploitation, including an unexpectedly compelling gay love story.


Tower of the King’s Daughter by Chaz Brenchley

Publisher: Ace

Year: 1998

Themes: Knights/Crusaders, Arabic folklore, religious persecution, magic, gay relationships

Rationale for inclusion: British Fantasy Award; Critically acclaimed (Starburst, Locus Magazine)

My quickie review: I only read this second book in Brenchley’s Outremer series as sadly, the series is out of print, and some confusion between the British and American editions led me to the Tower first. But I highly recommend it if you can get your hands on a copy from the library. The story takes inspiration from the Crusades, set in a desert kingdom where righteous ‘Ransomers’ clash with the native Sharai who have the gift of an arcane magic. A central POV character is the young, gay squire Marron, who is finding his place in the world amid his religiously fanatical countrymen, a band of insurgents with fantastical powers, and his master Sieur Anton D’Escrivey, who shares his persecuted gay identity. Brenchley’s writing is an engaging blend of quiet, introspective characterization and vivid action scenes.



Kirith Kirin by Jim Grimsley

Publisher: Meisha Merlin

Year: 2000

Themes: Elemental magic, coming of age, gay relationships

Rationale for inclusion: Multi-awards: Lambda Literary Foundation (winner), Gaylactic Spectrum (finalist); #OwnVoices: author is an openly gay man and the main characters are gay (see: reference).

My quickie review: Grimsley’s approach to fantasy is earthy, atmospheric and mystical, and reminded me a bit of Ursula Le Guin’s Wizard of Earthsea. He is also extremely meticulous. The story is a nearly day-to-day account of the magician Jessex’s apprenticeship and the eventual mastery of his powers. There’s not a lot of sword and sorcery as that’s not the story’s style. Jessex is kind and gentle and fights the battles that he must through a complex command of magic involving sacred songs and the manipulation of time and space. The book is at least equally a love story (Jessex and the titular Kirith Kirin) and a coming-of-age adventure. I thought the romantic storyline was sweet, surprising and accessible.


Mordred, Bastard Son by Douglas Clegg

Publisher: Alyson Books

Year: 2006

Themes: Arthurian legend, magic, coming of age, gay relationships

Rationale for inclusion: Critically acclaimed (see: Editorial reviews on Amazon page); Somewhat of a ‘cult favorite’ from a popular horror author; #OwnVoices: author is an openly gay man and the main character is a young gay man (see: reference).

My quickie review: Where Samuel Delaney blew me away with how provocative gay fantasy can be, Douglas Clegg’s retelling of the King Arthur legend blew me away with how fabulously subversive gay fantasy can be. Here, Clegg takes a despised character from a beloved canon, and tells his story in an inexorably sympathetic way. I think of it as a particularly noteworthy achievement in that traditional Arthurian legend is so stridently heterocentric. Evil, fey Mordred has been the inspiration for countless tales of queer villains, the archetypical foil to the righteous, sword-wielding, damsel-in-distress loving hero, repeated ad finitum in SFF. Clegg’s story is more than just a skewering of that narrative. It is a poignant story of a boy alienated from the human world because of his strange magical abilities and alienated from his own magical kin because of his queerness. And he has an affair with Lancelot. Read this book now!


Wicked Gentlemen by Ginn Hale

Publisher: Blind Eye Books

Year: 2007

Themes: Demons, persecution, mystery/crime, steampunk, gay romance

Rationale for inclusion: Gaylactic Spectrum award; Fan favorite (see: Listopia).

My quickie review: An immensely dark tale premised on the existence of an ancient demon race whose descendants are persecuted and exploited by an authoritarian, religious fanatic regime. That may sound rather “on the nose” for an imaginative gay fantasy allegory, but this is quite a sophisticated novel that doesn’t veer into sentimentality or preachiness. Bellamai, who has demon blood, must team up with Captain William Harper who is tracking down a serial murderer and needs an expert who can help him navigate the seedy underground, aptly called Hell’s Below. There’s a complicated romance between the two men and lots of action, suspense and creepy atmosphere along the way.


Hero by Perry Moore

Publisher: Disney-Hyperion

Year: 2007

Themes: Superheroes, coming of age, coming out

Rationale for inclusion: Multi-awards: Lambda Literary Foundation Award winner, Gaylactic Spectrum finalist, Inky Awards finalist; Groundbreaking portrayal of gay superhero in teen literature; #Ownvoices: author (deceased) was a gay man and the main character is a gay youth (see: reference)

My quickie review: I’m coming out as a fantasy reader who is not a comic geek, which explains the paltry number of superhero titles on my list. What drew me to read Hero was the story behind the story. Perry Moore was a crusader for fair treatment of LGBTs in comics and SFF, and beyond the book he wrote, his outspoken, tenacious advocacy opened doors for LGBT superheroes in the industry. The book is lovely. Closeted teen Thom Creed is trying to stay below the radar in a homophobic, working class town, and living with a gruff, single dad who was disabled by an accident. When Thom discovers he has magical abilities, he reluctantly and secretly joins ‘the League.’ There’s a boy he’s crushing on, but their encounters are always bittersweet near misses, along with lots of comic in-jokes and a simmering battle with the bad guys in the background.


The Steel Remains by Richard K. Morgan

Publisher: Gollancz (originally, later Del Rey)

Year: 2008

Themes: Sword and sorcery, slavery, persecution (including persecution of gays), gay relationships

Rationale for inclusion: Gaylactic Spectrum award; Commercially successful ‘crossover’ to mainstream SFF

My quickie review: Fantasy does not get much darker than The Steel Remains, so if you’re looking for an uplifting, gay-themed story and/or are squeamish about graphic violence including rape and sexualized torture, this is not the book for you. In fact, I vacillated about including The Steel Remains on my list because the two principal gay characters’ queerness is largely a source of hardship, persecution, and tragedy, a problematic treatment you can find far and wide in SFF. Still, two of the three rotating protagonists are unabashedly gay: Ringil, an emotionally and physically hardened male warrior, and Archeth, a tightly-wrapped, female dignitary of a mystical race, and the fact that their stories are front-and-center in a ‘popular’ market epic fantasy is something of an achievement for sure. The two must navigate a corrupt, war-torn world, which may be further unraveling by the return of an ancient race of magical demons. The writing is terrific, and the constant sense of danger makes the book a page-turner.



Ash by Malinda Lo

Publisher: Little Brown

Year: 2009

Themes: Retold fairytale; Medieval setting; fairies; lesbian relationships

Rationale for inclusion: Multi-award nominee: Lambda Literary Awards, Gaylactic Spectrum, William C. Morris for Début Young Adult fiction; Critically acclaimed (see: Editorial reviews on Amazon page); Commercially successful; #OwnVoices: author is an Asian, lesbian woman and the main character is a young lesbian (see: reference).

My quickie review: The tagline is: “Cinderella retold,” but this is quite a freshly imagined tale that charms the reader with its subtlety and eloquence. Lo pays tribute to the original source in clever ways: her use of language (the titular heroine Ash) and gender-swapped characters (a fairy godfather; a female “woodsman”), and the world and characters are much more complex than the good vs. evil conventions of classical fairytales. A convincing portrayal of an orphaned girl’s very high stakes struggle to live in an unsparing, feudal country with dangers arising from tradition as well as an intriguing, hidden magical world.


The Way of Thorn and Thunder by Daniel Heath Justice

Publisher: University of New Mexico Press

Year: 2011

Themes: Indigenous folklore/mythology, elemental magic, fantasy creatures and fantasy ‘races,’ war, persecution, two-spirit, gay relationships

Rationale for inclusion: Portrayal of people of color in fantasy; #OwnVoices: author is a Native, gay man and many of the characters are Native and non-heteronormative (see: reference).

My quickie review: This full-on Indigenous fantasy epic spans years and many miles in an engrossing story of a pre-historic America filled with magic and fantasy races and more political themes of cultural exploitation and extermination. Told through the rotating and intersecting journeys of ‘Kyn-folk’ characters, it is the story of the struggle to protect the ‘Everland’ from Men who would exploit and enslave its people and its sacred lands. Same-sex relationships and non-traditional gender roles among the ‘Kyn’ are portrayed matter-of-fact, and there’s a two-spirt character, a tribal healer, who is partnered with a male chief. As an allegory for the real, current and historical atrocities against Amerindian peoples, it is one of the most compelling heroic fantasies I’ve read.



The Sorcerer of Wildeeps by Kai Ashante Wilson

Publisher: Tor

Year: 2015

Themes: Demigods, sorcerers, African-inspired setting, gay relationships, fantasy creatures

Rationale for inclusion: Crawford award; Portrayal of people of color in fantasy; #OwnVoices: author is a black, gay man and the principal characters are black, gay men (see: reference)

My quickie review: A fantasy adventure strong on style and literary “voice.” The main character Demane and his love interest the Captain are demigods. Demane is also a sorcerer with a magical ability to heal. Different from traditional fantasy, we don’t see much of what that means on the page, and the spare storyline is an expedition into the wild to kill a lion-like beast called the junkiere. What you do get is lyrical passages and effective dialogue that grounds the reader in a wondrous world of Wilson’s imagination.














The City of Seven Gods featured at Adelphi University’s Authors and Artists Exhibit

I’m really happy to have one of my titles included in Adelphi University’s annual Authors and Artists Exhibit. Each year, the university invites members of the school community to share their published work in a reception and a display. The reception was last Thursday, and the exhibit is running through the month of October at the Ruth Harley University Center Gallery. You can see a full list of works on display here.

The exhibit also includes short videos of authors talking about their books. Here’s my video on The City of Seven Gods.

Andrew Peters

Uploaded by Zubin Grogg on 2017-10-05.